Cullen Bunn Quotes
I've been extremely lucky in my career, in terms of artists and colorists I've been able to work with, and I think 'Helheim' is a perfect example of that look playing out perfectly.
Quotes to Explore
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I enter my studio at 9 a.m. I have lunch here, I return right away to my work and I go out to dinner at 8 p.m. My daily tasks vary very much.
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I call myself a feminist, not a feminist filmmaker. If somebody asked me if I had a feminist sensibility it would be pretty hard to deny, but is it the theme of my work? Not necessarily. I'm interested in a lot of things.
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The trick is in what one emphasizes. We either make ourselves miserable, or we make ourselves happy. The amount of work is the same.
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The American Dream is that any man or woman, despite of his or her background, can change their circumstances and rise as high as they are willing to work.
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I've been working for many years and I think I've managed to work with some of the best people in the business, which has been rewarding and an apprenticeship.
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We need to accept that consumption is not the end goal of our life and stop measuring our well-being simply on the basis of earnings. We need to explicitly take the quality of our work-related life into account in judging our well-being.
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I always work with a goal - and the goal is to improve as a player and a person. That, finally, is the most important thing of all.
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If you have real passion for a career in game shows, be willing to serve an apprenticeship; it's the best way to learn.
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I don't think I'll ever want to do pop music. I think I'll only ever want to do classical crossover because it's something that I love, and pop just doesn't work for me.
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I still get excited by working with big names. You have that initial moment of, 'Oh my goodness, I'm going to work with Tom Cruise!'
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People often write after they finish their career, or they don't play anymore, or they are not anymore active. So I say, why do that? And let's do it differently.
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I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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When I was in advertising, I did a great deal of work on television commercials. A co-worker and I wrote a screenplay, which led to a few more screenplays, and some were optioned by production companies. I was advised to move to California but didn't want to make the move. I decided to use another form of storytelling, so I wrote a novel.
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I love disappearing. That's what acting is. For me it's about putting on a persona, stepping into a pair of shoes. It's my face, but I'm using it as a tool for that spirit, that character.
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I felt like my favorite writers have almost musical hooks in their work, whether it's poetry or a hook at the end of a chapter that makes you want to read the next one. And I think that my favorite writers definitely have something musical about what they do, in saying something so relatable and universal and so simple.
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I'd watch my parents work and think, 'Yeah, I'm going to do that.' It wasn't even a thing. It's the only thing I know how to do.
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There's work for everybody, and I believe every actor gets what he/she deserves. Honestly, I just want to work as long as I can and do great films and act with every good actor around.
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I've had some surgery and shoulder problems.
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I'd love to work with Michelle Williams. I think that she's incredible. She's such a great actress and I love her.
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This is just what I have thought when I have seen slaves at work - they seem to go through the motions of labor without putting strength into them. They keep their powers in reserve for their own use at night, perhaps.
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I was one of the few people who thought Star Wars was going to work, and I hadn't even seen any special effects.
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If the leading Negro classes cannot assume and bear the uplift of their own proletariat, they are doomed for all time. It is not a case of ethics; it is a plain case of necessity. The method by which this may be done is, first, for the American Negro to achieve a new economic solidarity.
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All of my books really do look at that to degrees of difference. Technically, I do enjoy the flashback! But not just for informational material.
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I've been extremely lucky in my career, in terms of artists and colorists I've been able to work with, and I think 'Helheim' is a perfect example of that look playing out perfectly.
