Crystal Reed Quotes
I feel like a good director provokes you to ask questions about your character, but doesn't answer them for you.
Quotes to Explore
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I don't have any problem with being the guy whose album people put on when they're feeling sad.
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I approach these people from a standpoint of love. How were they loved? How do they love? What's going on in their heart? There's that that I think about with every role.
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We do high heels, and people know us for that, but the idea of wearing a flat from day to night feels special.
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I love playing live, I don't like studios all that much. I need the reaction of the audience.
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When I grew up, my role model was my grandma because she's just the best.
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Like baseball, food will never go out of style; we will always need to eat and we will always find it entertaining. I think of food TV this way - all the fun and none of the calories.
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I'm not going to lie; the most fun of writing these books is just saying, 'Where am I going to write about? Let me go there!'
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The moment you give up your principles, and your values, you are dead, your culture is dead, your civilization is dead. Period.
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When I fell for Johnny Galecki, we both knew immediately that we had this connection, and that was it.
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Corruption is in society and in every strata of society.
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A lot of people go in and have to create their own characters, and they do fine with it.
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Among the natural rights of the colonists are these: First a right to life, secondly to liberty, and thirdly to property; together with the right to defend them in the best manner they can.
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When the British became Christian, Christianity in no way altered their political organisation.
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The prayers of cowards fortune spurns.
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The more hardcore conservative you are, the more tightly identified you are with defending the interest of capital as an interest of the system based on hyper-competition, the more likely it is that you vehemently deny climate change. Because if climate change is real, your worldview will come crashing down around you.
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I've sort of been an anthropologist of modern America, in a non-academic way. Whether it's Marines or Tupperware salesladies, high end audiophiles or bike couriers, I'm fascinated by the hallmarks of the American tribe.
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I maintain music is not here to make us forget about life. It's also here to teach us about life: the fact that everything starts and ends, the fact that every sound is in danger of disappearing, the fact that everything is connected - the fact that we live and we die.
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It seemed like most of the memories faded before they had time to form. And after a while, my life with my father seemed like a familiar story or a distant dream.
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There is always a mix of apprehension and excitement before you try songs out on a new audience.
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We have to choose every day to be active participants. To wake up in the morning and choose this life and make something of it is an incredible thing. Not many living creatures have that option. We have so many opportunities and options - it's a huge burden, but it's also the most freeing part of our lives.
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A smile is the universal welcome.
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Tourists do not come here for our weather, or for the quality of our provincial cooking. Nor are they attracted by the exceptional value of our hotels, our beaches, or Birmingham. I've never met an American or a Japanese person who has said: 'I want to come to Britain so I can buy an Arabic newspaper from a Bengali store where the Cashier speaks Polish.'
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Cuts of clothes and shapes of clothes are really important.
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I feel like a good director provokes you to ask questions about your character, but doesn't answer them for you.
