Kiefer Sutherland Quotes
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My mother's five-foot-two, and I'll be honest with you - she's the only person I'm scared of.
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Youth is an amazing thing: I think back on when we did The Lost Boys, and I didn't think I could do anything wrong.
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I've always traveled with a picture of my daughter from 1989, her kindergarten school picture, that has 'I love you, Daddy' written on it. She's always made fun of me because I never changed that picture out. It's like my resistance to her getting older. It was the first thing she'd ever written to me and it means the world to me.
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There are a lot of movies I'd like to throw away. That's not to say that I went in with that attitude. Any film I ever started, I went in with all the hope and best intentions in the world, but some films just don't work.
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You can't ask the press to service you with everything that they have and not expect some of the other stuff in return if you're going to live your life like I have.
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I've had some amazing people in my life. Look at my father - he came from a small fishing village of five hundred people and at six foot four with giant ears and a kind of very odd expression, thought he could be a movie star. So go figure, you know?
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The father-son thing, that's a separate thing. This film [Forsaken] was not about that. This was a film about two actors wanting to try and tell a story... and taking advantage of the fact that we looked like a father and son.
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The most significant piece of advice my father gave me early on about acting was, don't get caught acting. Really believe in what you're doing and then commit to it. Even if it feels uncomfortable, even if you feel that you're gonna look like an ass. It's all acting, but find the truth in a moment as opposed to just pretending you have and rather than trying to act your way out of it.
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My parents not only did it for a living, but they were really good at it.
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I think one of the things I was most interested in finding out was how differently we approached our work. And my reality was that we didn't approach it very differently at all, which was funny.
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I'm not that complicated as an actor. I have a formula in which I work, yeah. But not like Sean Penn does. Sean is one of the few actors I know who can work like that, actually becoming the character he is playing, and get consistent results. I don't believe you can ever be someone else. You manifest different levels of your own personality to come up with a character.
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I think that the day you've figured out the differences between women and men is the day that you're no longer attracted to women. It's the difference that is so fantastic and frustrating and angering, and really sexy.
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I like chatting with people. If people ask me a direct question, I give them a direct answer and I feel I've always done that with the press.
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I would love to do '24' until I was 60, but I don't think anybody would accept it.
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I've made films that I've given all I had to, that no one has seen. The bottom line is I want to work and I want someone to enjoy it.
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I loved '24', but I didn't think anyone else would. I had absolutely no idea.
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I remember being really grateful that David Lynch had actually even thought of casting me, because I was a huge fan of his.
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I've always thought of the western as American storytelling at its best.
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The biggest mistakes I made in my career were when I said, 'If I do this movie, I'll be able to do a couple more movies.' Those are the times I really got ugly.
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Most of my career I've spent really nervous. Just about work, getting work and having it in.
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If you're going to break cinema, film, and movies apart, very rarely to you get the opportunity to even think that you've been a part of cinema.
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People respond to a guy who is trapped and succeeds on some level and fails on another.
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If your ethics in the military, in your training, is going to be counterminded by a one-hour weekly television show, we've got a really big problem.
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Some days I'm in better control and can navigate my way through stuff, and other days, not so much.