Kiesa Rae Ellestad (Kiesza) Quotes
Quotes to Explore
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I wouldn't want to cover a Hank Williams song in a country-western way. It doesn't occur to me instinctually to re-create productions. I'm interested in re-creating songs. Putting different clothes on them.
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With technology now, you can go in and sing a song, and for $100,000, you will sound flawless.
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With songs I almost see the images, see the action, and then all I have to do is describe it. It's almost like watching a scene from a film, and that's what I go about trying to catch in a song.
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We never thought 'Say Something' would be a holiday song. I'm still surprised that it's resonating at this time of year. Maybe that's why it's working so well - it balances out all the joy.
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There was this song I was working on called 'Swing.' It was almost finished, but there was something missing, and I couldn't for the life of me figure it out. And then this little piece of information - this little tweet - came to the forefront of my mind.
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I'm a professional songwriter - personal attitudes have nothing to do with writing a song.
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Personal relationships are usually my biggest inspirations for writing my songs. The best way for me to write a song is to visualise the story in my head, and I start humming a melody, and before you know it, a song is born.
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My first songs were about animals and shoes. I wrote one song about PF Flyers, and one to my fish.
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At first, I did have that thought, like, 'Oh crap, what are we going to do after?' Then I realized 'Girl in a Country Song' was an honest, truthful song, and we were telling our truth, and that's all we have to do - write songs that are true and tell our stories.
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Toil without song is like a weary journey without an end.
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If someone had told me when I was a kid I'd get an ovation from Frank Sinatra! One time, I did a song called 'I Am A Singer', but I rewrote the words for Frank. I was in tears and, when he got up, so was he.
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There are few cases in which mere popularity should be considered a proper test of merit; but the case of song-writing is, I think, one of the few.
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I've had writing sessions with people, but I've never had one where you're just there, and you start making a song, and then it's too good to be true that something really cool will come out of this.
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I try to tell a story musically in a song.
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What you hear about the band is always going to be more disturbing than any particular song.
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When I was driving home after registration, I heard this song on the radio, a guy singing about not ever going to class in college and always hanging out and singing for his friends. I laughed and said, I can relate, because it was so much like me. I realized right then I would pull out of school and pursue a music career.
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If it weren't for the rocks in its bed, the stream would have no song.
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Everyone needs a theme song! It should make you feel like a million dollars.
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If the word has the potency to revive and make us free, it has also the power to blind, imprison, and destroy.
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I'm a compulsive buyer. Anything beautiful I see I want. That's how we got the Waldorf Astoria. I told Conrad Hilton, 'I want the Waldorf,' and he bought it. The only problem was I divorced him before the escrow was finished.
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I was in awe of my father. His generosity was beyond anything I ever could imagine. The reason I say he's like Don Corleone is he was always breaking off hundreds. I'd be like, 'Hey Dad, I'm going to McDonald's with my friends,' and he'd just whip out a hundred: 'Here, go, have fun.'
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No one is exempt from the rule that learning occurs through recognition of error.
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Queen songs tend to be about very personal things: personal dreams and personal ambitions.
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The moment I wrote my first song, I got addicted.
