Omari Hardwick Quotes
Quotes to Explore
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After leaving school, I travelled around Europe for about six months. In Denmark, I thought that was my chance to get an amazing haircut, so I went to what I thought was a great hairdresser. It turned out to be the car wash of hairdressers, and I walked out sporting yet another pudding bowl, but this time with a stripe bleached down the centre.
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Do not say, 'It is morning,' and dismiss it with a name of yesterday. See it for the first time as a newborn child that has no name.
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People who live in glass houses... have to answer the door.
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I really like having a life outside work. I sometimes wish I did more career stuff and was in that Hollywood scene a bit more. But Toronto's my home.
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The scene that has raised the most objections in 'The Interview' is at the very end, when Kim's head dissolves into flames. To me, it feels gratuitous.
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I just get focused on whatever is in front of me. When I was filming Crossroads, it had all my focus. Now I'm all focused on finishing my recording so I can get that out. It's just day by day.
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I don't have business with any politicians.
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I care very much what the fans think. I'm starting to loosen my grip on caring about what critics say, because I think that critics care about what fans think of them, too, so there's a little bit of a refraction there, through that glass.
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I generally wake up at 4:30, have breakfast No. 1, then get to the pool by 5 a.m.
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Luckily, I work for a company that promotes on performance.
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My home is attached to a study - in fact, my home is my study, and I have a little room to sleep in. I need to write looking onto the street or a landscape. Looking at reality from some distance gives me romantic visions.
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I think that Amanda Nunes and Julianna Pena and Valentina Shevchenko... they've showed how much this level has gone up in female fighting in a very short period of time.
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Track and field is the best way to reach out for kids. It doesn't matter how fast you are. You always want to beat someone.
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To my child's eyes, which had seen nothing else, Shanghai was a waking dream where everything I could imagine had already been taken to its extreme.
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Sword fighting in film is not about how good the fighter is, but how good the actor receiving the blows is.
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When I first started cooking, I was very much an intuitive cook when it came to taste, but that didn't mean I didn't want to know why some things worked and why others did not. My interest took me to culinary school.
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When I started this I wanted to get back in the pool, I wanted to race and I wanted to go to the Olympics. I still want to do all of those things.
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I love to eat. If I could eat everything in the world and still be healthy or wouldn't catch a heart attack or stroke, I'd eat everything. I just can't. So I got to watch my health and take care of my family.
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I am a believer in the journey and enjoying the journey.
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Some sarcasm is best told simply.
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The more you play against teams and defenders, the more you get to know them. You know if they are more nervous; you know, on the pitch, people are different. I try to adapt to their character.
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There's a love of rhetorical skill in the Muslim world. Osama bin Laden doesn't just go on tape cassettes and say, 'America sucks.' He recites poetry; he finds things that 'America sucks' rhymes with.
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The young student sits with his head bent over his books, and his mind straying in youth's dreamland; where prose is prowling on the desk and poetry hiding in the heart.
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Poetry has, in a way, been my bridge to my acting career.
