Corey Stoll Quotes
You can make bad writing 'OK,' but... you really need to start with a good script and with characters that are three-dimensional and with great dialogue. It's a difficult lesson to learn because good writing is hard to come by, but it's definitely worth chasing.
Quotes to Explore
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My good films were independent and my bad films were not.
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I get upset about what is taken as great literature and what is cute and exotic.
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A lot of EDM is not bad at all when it's simple, but a lot of it is not really musical. That's just what I really like to do: taking what I had at the beginning, which is classical and jazz influences, and putting it into electro.
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Revision is the heart of writing. Every page I do is done over seven or eight times.
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Perhaps it is impossible for a person who does no good to do no harm.
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The more people pointed at me in scorn the more stubborn I got and when they began calling me the Bad Girl of West Seattle High, I tried to live up to it.
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Then about 1951 I began writing again, painfully, a novel I called in the beginning A Life Sentence on Earth, but which developed into The Tree of Man.
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My grandparents never understood why my mother Noreen chose such exotic names for her children: Damon and me. My granny insisted on calling my brother Dermot - a good Irish name - until she died; I was just known as 'wee one.'
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DeNiro did a good job playing a catcher in 'Bang the Drum Slowly,' but he's great in everything he does.
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One thing I've tried to do in writing music is take on very basic things, very archetypal things.
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Scandinavian crime fiction has become a great success all across the world and rightfully so. Sjowall and Wahloo ushered in a whole generation of Swedish crime writers, many of whom are now available in English.
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At one time if you were a black writer you had to be one of the best writers in the world to be published. You had to be great. Now you can be good. Mediocre. And that's good.
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My father was champion of North Africa and he beat the European champ. He was very good, a professional for 12 years. We're from a big family of boxers. My father has seven brothers.
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'Float On' was a fine song, but I was still writing the lyrics on the last day we were working on it and deciding if it was something we wanted to put on the record.
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I think I like playing the bad girl. I like complicated. I like flawed, messed up complicated. It's more interesting.
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I wrote small stories here and there, then bigger ones. Some were even written for money. I signed up for a writing class and snuck my first assignment on a yellow legal pad in a partner's office while he read through my memo.
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Actually, I have another record I made with them in 1976, but I've had such a bad experience with record companies, because I keep my head so much in music and not in business.
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Most people don't have that willingness to break bad habits. They have a lot of excuses and they talk like victims.
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I don't have one role that I want to play. I guess... I want to be a producer. I want to be an activist. I want to be proactive in bringing about work for men, women, boys, girls, everybody who is good at what they do and deserve a shot at it.
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I have always loved science, but I have always loved the arts - drawing, painting and, yes, writing - more.
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Without my specs on, I think I look really great; then I put them on, and I scream. But at 62, I still think less is better. I use Clarins foundation, but I don't put it everywhere - I hate that covered look - so just on the sides of my nose where the veins have gone bang.
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Beware the tyranny of the weak. They just suck you dry.
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My body of work means nothing to me.
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You can make bad writing 'OK,' but... you really need to start with a good script and with characters that are three-dimensional and with great dialogue. It's a difficult lesson to learn because good writing is hard to come by, but it's definitely worth chasing.
