Corey Feldman Quotes
Quotes to Explore
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I really found this campaign odious. I couldn't get up for it. The quality of the candidates and the campaign, I just found the whole thing second-rate. I didn't know how to explain to my granddaughter that I was spending my dotage writing about Al Gore and George W. Bush.
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I like being friends with other women who are supportive of women. I think that is important.
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I'm process-orientated. Awards, by their nature, are results-orientated.
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The interest on our debt is going to collapse this country.
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They wanted to audition people for the Middle East correspondent on 'The Daily Show.' They wanted to hire somebody ethnic for that slot. Helms had left, Cordry had left, and they felt that they needed an ethnic face. So, I went in and auditioned, and I got the job.
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I hate to lose. It's a bad feeling, but, I mean, it kind of gets you resettled, gets you back right.
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I'm re-teaming with the producers of 'Twilight,' whom I love and who I have an amazing relationship with.
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Juilliard definitely emphasizes the theater. They don't train - at all really - for film acting. It's mostly process-oriented, pretty much for the stage.
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I can never believe how much time and energy and money and talent and everything else is being poured into horrible ideas.
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One has to have the courage of one's pessimism.
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You know, my faith is one that admits some doubt.
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I guess I had fun doing it but it has hard memories for me.
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A family is really a union of two separate entities. When you get married, you are marrying one family into another.
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I've got that Beethoven energy, that Stravinsky energy. And it's all a gift from the Creator.
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I would say a good leader brings results. A great leader writes a new story, it's different. Obviously a new story has to incorporate a lot of results. But a story is a chapter in the life of a company that people want to write and want to remember.
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I genuinely believe that if you want to get in the film business, get in the film business.
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I love auditioning. Since 'The Notebook' and 'Wedding Crashers,' I don't have to audition anymore, and I miss it. You get to show your interpretation of the character. I get nervous when I don't audition. What if they hate what I want to do?
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We want an Afghanistan that is shaped by the dreams of the great Afghan people, not by irrational fears and overreaching ambitions of others.
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Never, even as a child, would I bend to a rule.
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I consider myself a blue-collar actor, just chugging away.
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I was well motivated. What I wanted to do was work for myself. I had twenty two jobs before I started my business at the age of twenty three and I didn't want one more boss telling me what to do. So I was motivated simply because I didn't want a boss.
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What kind of recognition do I deserve? I don't deserve any recognition.
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The history of a revolution is for us first of all a history of the forcible entrance of the masses into the realm of rulership over their own destiny.
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I was never taught how to raise a child, because I wasn't raised properly.