Constance Wu Quotes
I was emotional. I wanted to be taken seriously. I was pretty emo. I was reciting Shakespeare monologues when I was 10. I still know the whole 'To be, or not to be...' monologue, because I knew it when I was 10.
Quotes to Explore
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I've been working on this feature script for Master Class, a play by Terrence McNally that won a lot of Tonys.
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Letters are like wine; if they are sound they ripen with keeping. A man should lay down letters as he does a cellar of wine.
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Singing for me has always been a joyous but private pleasure that connects me in a lyric thread to my beloved grandmother Alice.
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If you learn one thing from having lived through decades of changing views, it is that all predictions are necessarily false.
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Consciousness is an end in itself. We torture ourselves getting somewhere, and when we get there it is nowhere, for there is nowhere to get to.
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I wouldn't let a biopic be made on me. That's because I don't believe in them. I don't like them.
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Some women can't say the word lesbian... even when their mouth is full of one.
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I'm not saying 'I have cerebral palsy, pay attention to me.' We all have problems, and we have to figure out how to live our best life.
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I give two hoots about being typecast. It's not in my hands.
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What's been happening in Iraq, what young Americans wearing flak jackets, helmets and flight suits have done is... created the circumstances under which Iraq can become our closest ally in that part of the world and still have a representative government. And that's going to be a very good thing considering what's going on in that neighborhood.
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I think 'Dark Blue' came to me while I was doing a project in London. I read it, and the character immediately popped out at me.
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I love finding new creative partnerships but then continuing the partnerships I'm already in.
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The American Negro has no conception of the hundreds of millions of other non-whites' concern for him: he has no conception of their feeling of brotherhood for and with him.
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I tried to be a goth for a while. I'd pour baby powder on my face and paint my lips black, but that didn't last long. I thought I looked cool at the time. But then you look back and wonder, 'Why did anyone let me out of the house looking like that?'
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I would never recommend losing on a bye, so that one definitely stays with you.
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All emotions are pure which gather you and lift you up; that emotion is impure which seizes only one side of your being and so distorts you.
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As a teenager, I had big breasts for my age, and my friends cracked on me a lot.
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I am through with baseball forever. I have my farm and my home and enough to take care of me, so why should I work and worry any longer?
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I would describe my style as off the wall. I like stuff that doesn't match. I just like to stand out.
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I always say this: 'In life, truth is on your side.'
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In radio, you have two tools. Sound and silence.
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As the youngest of three girls, most of my childhood works were revenge fantasies against my older sisters, so of course the sisters in 'Pretty Girls' share some similarities to my own.
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Usually, like, on 'Mean Girls,' the task that Tina Fey and I set for ourselves was we wanted to maintain a comic intensity throughout the movie, where people just don't really get a break from laughing. And if they do, it's for a brief emotional scene, and then we're going to once again try to knock them on their heels again with comedy.
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I was emotional. I wanted to be taken seriously. I was pretty emo. I was reciting Shakespeare monologues when I was 10. I still know the whole 'To be, or not to be...' monologue, because I knew it when I was 10.
