Chrissie Hynde Quotes
Quotes to Explore
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The psychology of women hitherto actually represents a deposit of the desires and disappointments of men.
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There's a lot of bad things going on but I didn't do nothing.
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I am not in politics to make more money.
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I make a lot of money, but I don't want to talk about that.
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No matter what a woman's appearance may be, it will be used to undermine what she is saying and taken to individualize - as her personal problem - observations she makes about the beauty myth in society.
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The world is not black and white; there are lots of shades of grey. There are good things and bad things in every era, and I think it's kind of very blindfolded to say one era was wonderful, as it was wonderful, but there were a lot of bad things as well.
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I was a nursery school teacher, and I worked with youth groups. I loved that job. It was exhausting, but you got a lot back - all their purity and insight and innocence is so on the surface, and they're so unrepressed; they'd really scream at you and then give you a massive kiss.
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I grew up in a mostly Buddhist environment.
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My first time coming over to North America was to New York around Christmastime when I was 7. My mom was a flight attendant, and she got put on to the Trans-Atlantic route over Christmastime, so she brought the whole family.
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In life, there's no such thing as an unmitigated good.
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Public figures will get public criticism, and they should be tolerant enough to take it.
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I had no idea 'The Dream Weaver' would be so successful. Everything just fell into place with that album. I pioneered a number of ideas with that album and subsequent tour. The all-keyboard approach with no guitars was a new one, and I was one of the first to use a drum machine in concert. It was an amazing time.
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I don't respond to authority figures who abuse their authority.
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I think people have to sharpen their eyes and look. I always feel like a big sponge: I feel like I learn lots of things by osmosis, and I feel that I'm always absorbing. I mean, when people say, 'What is your inspiration?' I could throw up. I mean, I'm inspired by the fact I get up in the morning. And I'm still here.
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The age of 18 seemed the right time to try something different in my life. Moving to the U.K. was a risk, and I was never confident that I could ever make a full-time living being a musician, but I had to try. Initially, I worked as a jazz musician in pubs or with bands.
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I remember feeling enormous pressure because I didn't want to be Shirley Temple. Shirley Temple was Shirley Temple, and I didn't ever feel like I could live up to that.
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There is a kind of mysticism to writing.
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I had been playing since I was 2 years old, never remembering a life without music, always playing everything naturally and mostly by ear, and all the grownups wanted were more scales and drudgery out of me.
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The intuition of free will gives us the truth.
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One of the beautiful gifts of dance is that you're so in tune with your body so early on. I was very comfortable in my skin at a very early age, performing onstage and wearing interesting costumes. And I give so much credit to my mom - she never made me feel that my costume was wrong, or bad, even when there was not a lot to them!
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I’m not interested in the words or the meaning of the words. I’m interested in disappearing in it completely, to not be aware of yourself at all. That’s the way music works for me. It’s purely emotional. It goes straight to the heart. There are no explanations. That’s just it.
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Hours of research can cut months of field work.
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You are always cheating for the audience.
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A ballad once in a while doesn't go amiss.
