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You know, when you're 23 and you get pissed, I mean drunk, you can just go crazy and it's all right. But if you're 43 and you do it, it's like your best friend's mother who used to come in pissed and everybody was really embarrassed. It just doesn't go down well, you know, after a certain age.
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The people who are making a lot of money and eating at McDonald's and watching MTV and have square eyeballs, they're over there. And then maybe there's like five other people left in America and I'm just waiting for them to come up with something interesting.
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What characterized the whole punk scene for me in 1977 was there was no racism or sexism. It was an anarchy of -isms, and a matter of abolishing it all.
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I'm kind of a brown-rice hippy. I don't think I'd have much success if I tried a dinner party, but I'm not going to have one, and I've never been invited to one, and that's just fine.
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A ballad once in a while doesn't go amiss.
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I've done lots of songs for film soundtracks and things like that-stuff I'm not ashamed of, but that doesn't represent my legacy with the Pretenders...I think domesticity certainly doesn't make it easy to write, you know, because you've got a lot of distractions and I think a writer is always looking for distractions.
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If you don't have a flag sticking out of your ass, you must be a communist.
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I'm with someone who's got very high standards, and he doesn't tolerate all these ridiculous vices very easily. That's not reason enough to marry someone, although people have gotten married for less.
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I never want to bore the public.
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I am very grateful to punk because I was a girl, and I felt like if I got in a band, I'd be kind of a novelty act, but punk was all about non-discrimination. No one cared because it was punk, so, you know, anyone could do anything they wanted.
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One person can make all the difference in the world. For the first time in recorded human history, we have the fate of the whole planet in our hands.
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I used to think I was ordinary and just like everybody else, and I am, but there is something about being in a band. It's not for everyone.
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I'm all for bootlegging. A record costs $20 . . . who can afford that?
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Once you stop drinking and smoking and stuff, it really gets on your nerves, all that nonsense going on.
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The Clash were innovative, radical and helped drive a change in music that was ground-breaking. In comparison to some of the music today they sounded like they meant it. I still listen to their music today to remind myself what music made with commitment sounds like.
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I don't wish to embarrass anyone.
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Things go in waves, and I might make a record every three years. That's enough for me, that satisfies me. And it satisfies the so-called public, because they don't really need a record every year. They don't even want one. There's other stuff out there for them to listen to.
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I've never been to a Hollywood party, although I imagine that it might be fun.
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It's my tough luck if things happen that are complicated.
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I don't believe there is any justifiable reason for killing any animal unless perhaps if it's killing you! That would be negotiable.
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The cliché of that sort of wasted, renegade, drugged-out musician of the '70s is kind of dead and gone now. And I suppose that a lot of people still keep relying on that, or some kind of image to perpetuate something that they think they're supposed to sound like. But that kind of takes you away from real inspiration and, you know, real artistic discovery of the individual.
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I expect people to at least use some thought.
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You try to be arrogant in songs because you can't be in real life.
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I like Madonna a lot. I think she's really good and I think she's a good singer. I think she looks good and she's got a nice kind of... I don't think she's got a sinister or cynical vibe around her, and I don't think she's got any sort of bullshit around her.