Paul McCartney Quotes
Quotes to Explore
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I was in a Nativity play as a kid. Back then, I played the donkey.
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To get a film in Cannes is a real honor. To have it play and not get booed is a real relief.
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You get on the radio by writing your own songs. But we had the dilemma of not being able to play anywhere because we weren't able to play anything that anyone wanted to hear. So we learned songs that we thought that we could do without puking.
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It is when we all play safe that we create a world of utmost insecurity.
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What offends me the most when I hear criticisms about this so-called Africa bias is how quick we are to focus on the words and propaganda of a few powerful, influential individuals, and to forget about the millions of anonymous people who suffer from their crimes.
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The game of life is a game of boomerangs. Our thoughts, deeds and words return to us sooner or later with astounding accuracy.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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The words of a dead man are modified in the guts of the living.
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After 20 years, a million written words, and nine rejected novels, I finally landed a book contract.
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I still have my old Nintendo 64 that works. And I hook it up, and I still play the original 'Goldeneye.' I'm that geek. I have an 'NBA Jam' arcade machine in my office at 'SNL.'
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If you get a guy that can play a couple positions, it helps you out a real lot.
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Write every day; never give up; it's supposed to be difficult; try to find some pleasure and reward in the act of writing, because you can't look for praise from editors, readers, or critics. In other words, tips that are much easier to give than to take.
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There is nothing cooler than to have them singing your words back to you. The last show I did, I was kind of nervous about putting the mic out there, because you're not sure how it's going to go. But I did, and they sang the whole chorus. I thought, 'Holy crap! That is the coolest feeling.' It's the biggest rush ever.
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I'm from New Orleans. There's a lot of vampire mystique and mythology that resonates there, and I was fascinated by it. I always wanted to play one.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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When I play a solo I'm just expressing that moment. It can go horribly wrong easily enough.
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There are a lot of guys who play in pro-style offenses who are not prepared when they come out of college. Either you're coaching the quarterback to be a quarterback, or you're not.
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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Keep your words. This pain is no life." "You only feel pain because you're alive, boy!" the keeper thundered. "This is the mystery of it. Life is lived on the ragged edge of the cliff. Fall off and you might die, but run from it and you are already dead!
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Two halves don't make a whole. Two wholes make a whole.
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If you live only in one culture for the first 20 years of your life, you become conditioned without knowing it.
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Because of my interest in songwriting, I was invited to visit a friend in L.A. for songwriting sessions with him and his friends. We wrote six songs by the end of the weekend, and 'Hide Away' happened to be one of them!
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When I stretch, I stretch in such a way that my awareness moves, and a gate of awareness finally opens.
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Lyricists play with words.
