Diana Ross Quotes
I'm crazy about Diane Von Furstenberg. It's a relationship that's very different; I don't see Diane a lot. So when I saw the article in New York magazine she looked so beautiful and it was talking about her work, too. She set up the interview and it was happening. That's different than someone writing a book about you who you've never met.
Quotes to Explore
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Love is important. I didn't have the energy to be giving it to somebody else in a way that they deserved, and I knew that. So I've always been scared to go too far with somebody I care for because I knew there would come a day when I'd need to pick up and finish a painting for the next three months. That day is inevitable.
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I like trying different foods. I've done vegetarian stuff, and I've gone through meat phases, and then I do no bread, and then I eat bread. I'm really all over the place in the way a lot of actors are.
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Writing is an exploration. You start from nothing and learn as you go.
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People have got to get together and work together. I'm tired of the kind of oppression that white people have inflicted on us and are still trying to inflict.
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When you're writing a book, you don't really think about it critically. You don't want to know too well what you're doing. First, you write the book, then you find the justification for it.
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I must be like the princess who felt the pea through seven mattresses; each book is a pea.
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I have freckles; I don't like covering up too much. I like things dewy and natural, and I think that having moisture in your skin is really beautiful and youthful - sometimes that's more important than coverage.
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How are the cabs in your city? In Manhattan, where I work, they are rather awful.
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I have to write what I can write, and writing the text of a picture book is like walking a tightrope, if you ramble off... As my friend Julius Lester says, 'A picture book is the essence of an experience.'
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I started playing trumpet when I was 11 years old. All I wanted to be was a jazz trumpet player when I grew up.
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I know from an editor's point of view or a publisher's point of view it's easier to slot me into a particular niche. But I know that I'd be bored unless I wrote a book that in some senses was a challenge.
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I was about 11 or 12 when I began to pick up my mother's books.
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I used to say to my bubbe, 'Bubbe, is this story true?' And she'd say, 'Of course it's true! But it may not have happened.' What my bubbe was saying is profound: All stories are true. The truth is the journey you take through it - did it make you laugh, cry, seek and want justice? Then it's true.
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Having a lot of people suddenly depending on me to get the job done was a marvelous motivator. The book and movie deals seemed to flip a switch in my head, and off I went.
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My children and my husband make me smile. My work makes me smile.
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I got tired of different drum sounds so you buy different effects for more manipulation.
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The real reason we ended up getting into that type of music was our dad worked for an oil company so we spent a year overseas when we were young kids. Because of that, it was all Spanish TV and radio so we ended up having these '50s and '60s tapes, tapes of that music.
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I understand how bureaucracies work. And that's important because our government has become a vast, huge, bloated, corrupt bureaucracy.
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We get a deal o' useless things about us, only because we've got the money to spend.
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There was a magic about pulsars... no other things in the sky had such labels on them. Each one had its own distinct pulsing frequency, so it could be identified by anybody, including other creatures, after a long period of time and far, far away.
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Some people learn comedy, and some people just are comedy.
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There was no one color that could paint Lena Duchannes. She was a red sweater and a blue sky, a gray wind and a silver sparrow, a black curl escaping from behind her ear.
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The best way is not to read as much from the media and what they write.
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I'm crazy about Diane Von Furstenberg. It's a relationship that's very different; I don't see Diane a lot. So when I saw the article in New York magazine she looked so beautiful and it was talking about her work, too. She set up the interview and it was happening. That's different than someone writing a book about you who you've never met.
