Mariano Rajoy Quotes
Quotes to Explore
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I'm against abortion. On the other hand, I believe in a woman's choice.
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We now have the opportunity of giving to the USSR its Vietnam war.
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My first thought is always of light.
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I don't have any plugs or tucks but people do what they want. I look at it as mutilation.
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Power is a tool, influence is a skill; one is a fist, the other a fingertip.
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When it comes right down to it, developing a critical sensibility about parenting isn't really about disapproval; it's about honing your own sensibilities, figuring out how you want to parent.
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Home, nowadays, is a place where part of the family waits till the rest of the family brings the car back.
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Love truly does have the power to transcend evil. It can get us through the most unspeakable of events and give us the strength to keep on putting one foot in front of the other.
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I learned early that I had to work harder than the white kids and harder than the boys.
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It's just funny that Americans have to contend with 2000 channels, and 60 different specific news sources, and the confusion that it creates, and the junk that we get to see is hilarious.
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I try to do my best to have fun off the court.
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My family was very unorthodox. My mother was very eccentric and amazing. She always treated us like adults.
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The Muslims refuse our culture and try to impose their culture on us. I reject them, and this is not only my duty toward my culture-it is toward my values, my principles, my civilization.
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I don't know if people are born with a worldview or if their thinking is a product of their environment.
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When more and more people are thrown out of work, unemployment results.
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People always are desperate to have others acknowledge that they are different.
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Sometimes friends move apart from each other for whatever reason.
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Precise historical reasons are difficult to pinpoint, but red hair, it seems, bestows a sense of otherness. Red is the colour of blood and danger.
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That can not possibly be, because it could never possibly be.
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I know, when I was in film school, some of my films were silly, but a lot of them were more dramatic. I don't think I intentionally set out to do comedy stuff. I guess that's a consequence of coming up working with David O. Russell and skewing toward those sensibilities.
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The British keep employing me, and that makes me like them. It also makes me think they're very intelligent.
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I don't believe in objectivity. I observe the observer's paradox every moment I'm filming. Your presence is changing everything; there's no mistaking it. And you have a responsibility.
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A particular ikon an aid to devotion may be itself a word of art, but that is logically accidental; its artistic merits will not make it a better ... ikon. They may make it a worse one.
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«From the Prestige come a few little glazes with the appearance of plasticine.'
