Dolly Parton Quotes
Songwriting is my way of channeling my feelings and my thoughts. Not just mine, but the things I see, the people I care about. My head would explode if I didn't get some of that stuff out.

Quotes to Explore
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As one grows older one becomes more critical of oneself and less of other people.
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Contrary to the royal and uptight image of polo, I want to bring it to a younger generation. This is a great sport that can have a larger audience and appeal to more people. Sportsmanship is lacking in many other sports that I don't want to name.
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People in love don't see gender, colour or religion. Or age. It's about the other person, the one that you love and who loves you. You don't think of them in terms of a label. You just go with your heart.
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People in Sweden talk a lot about the weather - how much we hate it. But Finns get more depressed.
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I never set out to become 'famous.' I mean, when you're 14 you think 'I'm gonna become a writer and people will want my autograph and that'll be cool,' but you grow up and you learn that's just not how the world works. I resigned myself to the fact that I would probably never be published and if I did it probably wouldn't be a big deal.
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Eliza Factor's first novel, 'The Mercury Fountain,' explores what happens when a life driven by ideology confronts implacable truths of science and human nature. It also shows how leaders can inflict damage by neglecting the real needs of real people.
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I want to describe the psychological state of the people in a certain city.
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To let the people know there was life beyond Shirley Dean, we decided to focus on voter registration; each day I set up my card table somewhere in the district, signed people up, and passed out noses.
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All my life, people have asked me what I was so mad about. 'Why you so mad?' And I was never mad. I'm not mad, I just look mad.
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I don't like Los Angeles. The people are awful and terribly shallow, and everybody wants to be famous but nobody wants to play the game. I'm from New York. I will kill to get what I need.
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Diversity in the industry is very lacking, and equal opportunity comes very far and few between for people of color.
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Clothes are a kind of uniform. A nun's habit, a surgeon's scrubs, a cop's uniform. People often say that when they put on a certain uniform, they actually think of themselves differently.
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Like every artist that comes out, you want to make a mark; you want to be a household name and you want to be someone that people are going to look back in ten years/fifteen years' time and go, 'I love this guy Olly Murs. He was brilliant back in the day; he was someone I really, really liked.'
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Anything you can do to get more people to come to your live shows is good, because that's where you can really do what you do. Everyone's on the same page, and you don't have to win strangers over as much.
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The biggest mistake you can make is assuming that creativity will hit you all at once and the muse will carry you to the end of the book on feather wings while 'Foster the People' plays gently in the background. Storytelling is work. Pleasurable work, usually, but it is work.
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Some languages expand not only your ability to speak to different people but what you're able to think.
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Anybody who says they don't want to be seen on a show which has millions of people watching it at one time when they're in the business of selling records is a bit silly.
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Creative people who can't help but explore other mental territories are at greater risk, just as someone who climbs a mountain is more at risk than someone who just walks along a village lane.
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The blues comes right back to a person's feelings, to his daily activities in life. But rich people don't know nothing about the blues, please believe me.
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I think New Orleans is such a beautiful city. It looks like a fairytale when you walk through the French Quarter or the Garden District. There is such a lush sense of color, style, architecture - and the people themselves.
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I feel like you are allowed in fiction to embrace imagination and try to enter other worlds. And I feel like you should push yourself to try to persuade your reader that you have the authority to engage with people who, you know, lived in the past, who live in the future, other genders, other places, other cultures.
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I never eat at home. Dinner is my time to be social and catch up with people.
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Life does more than adapt to the Earth. It changes the Earth to its own purposes.
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Songwriting is my way of channeling my feelings and my thoughts. Not just mine, but the things I see, the people I care about. My head would explode if I didn't get some of that stuff out.