Chad Kroeger Quotes
When I’m Chad from Nickelback, then I have to wear one hat and I have to wear various others when I’m Chad Kroeger who is co-owner of 604 Records or someone who’s working on an independent project. At that point I want to know where the record is getting licensed, as well as absolutely every aspect of how we’re going to deliver a song to the public and how we’ll all get paid for doing so.
Quotes to Explore
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I wasn't thinking of a sequel when I finished 'Life Class.' What changed my mind was the perception that the characters had a lot of life left in them, a lot of unresolved conflicts, and also I became interested in the Tonks pastel portraits of facially disfigured soldiers and in the whole area of facial reconstruction.
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'Press Your Luck' was probably the most exciting because of the unpredictability of the game and how I won on one of the three days on the very last spin against all odds. It was one of those great unpredictable game show moments.
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The Irish do not want anyone to wish them well; they want everyone to wish their enemies ill.
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I don't think about whether it's gonna be a dance record or a ballad or anything when I'm making music. I sit in the studio and I think, 'How am I feeling today?' and I write how I feel. It's really, really simple.
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I squeeze oranges every morning to make juice.
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I never, my producer never, we never let myself just sing. We were always trying to get the perfect vocal.
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For me, writing is a love – hate relationship.
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I had the longest, biggest bowl cut. It looked like I had a perfectly straightened mop on the top of my head.
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I'm an active author: I travel to give readings and talks, although I know it's risky.
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I'm not a big one for lots of genitals flapping in the films.
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Even the pyramids might one day disappear, but not the Palestinians longing for their homeland.
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I knew trucking was growing. It grew from the Second World War to the time that I bought the bridge. There were interstate highways being built. I thought there was opportunity.
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I love coming to India, and I find the people out here very warm and social as compared to people in the U.S.
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The black masses must demand and refuse to accept nothing less than that proportionate percentage of the political spoils such as jobs, elective offices and appointments... They must reject the shameful racial tokenism that characterizes the political life of America today.
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I feel like I've set the example for loving your body no matter what size it is, but I also can set the example for being healthy as well.
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Throughout my career I've played a lot of parts that might've been played by a man. They're human roles rather than specifically men or women. I've never been as hooked into that as a lot of women are, you know, like, 'There aren't enough roles for women.' There aren't necessarily a lot of good roles for anybody.
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I do love my work, but Daddy likes a little break, too.
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I think maybe I was a shepherdess in a past life.
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We need excellence in public education and if the teachers can't do it, we'll send in a couple of policemen.
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I've produced before, and sometimes it's by default. In the indie level, you can't just come to set and be like, 'Oh, I'm an actor.' You have to be willing to help out, make the project happen.
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Everyone has the right to walk from one end of the city to the other in secure and beautiful spaces. Everybody has the right to go by public transport. Everybody has the right to an unhampered view down their street, not full of railings, signs and rubbish.
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I love 'Robot Chicken,' 'The Boondocks' and 'America's Funniest Home Videos.' Then there's this show called 'The First 48.' It's a documentary about killings where they try and find murderers. They interrogate people and they tell on each other - it's hilarious.
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When I’m Chad from Nickelback, then I have to wear one hat and I have to wear various others when I’m Chad Kroeger who is co-owner of 604 Records or someone who’s working on an independent project. At that point I want to know where the record is getting licensed, as well as absolutely every aspect of how we’re going to deliver a song to the public and how we’ll all get paid for doing so.
