Archy Ivan Marshall (King Krule) Quotes
Quotes to Explore
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Writing about the future and the past is less a way of dramatizing change than of showing, by way of contrast, what abides.
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Writing is an exploration. You start from nothing and learn as you go.
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With sitcom writing, you're trying to write stories.
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When you're writing a book, you don't really think about it critically. You don't want to know too well what you're doing. First, you write the book, then you find the justification for it.
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I like writing flawed women, and being one, it's something I feel I can write with some veracity and authority.
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You sit at your computer for hours, then slave away at your job that you may or may not like. You don't know how to explain to them that the time when you feel alive or present is when you are writing.
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I actually run a non-profit where one of the main objectives is to branch out and get a new audience for the theater. Just because the writing is so good and nothing is more effective than seeing something live and happening right in front of your face, so I definitely want to continue to pursue that.
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I've been writing for a long time. I sat down to write my first novel in the middle of March of 1982.
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Writing about a person whose struggle you wish you could solve is an act of compassion and also, frankly, opportunism.
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My music has a high irritation factor. I've always tried to say something. Eccentric lyrics about eccentric people. Often it was a joke. But I would plead guilty on the grounds that I prefer eccentricity to the bland.
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It's kind of a catch-22 now because since the 'Da Vinci Code,' I have access to places and people that I didn't have access to before, so that's a lot of fun for somebody like me, but I'm always trying to keep a secret. I don't want people to know what I'm writing about.
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If it is indeed impossible - or at least very difficult - to inhabit the consciousness of an animal, then in writing about animals there is a temptation to project upon them feelings and thoughts that may belong only to our own human mind and heart.
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Instead of writing songs for girls, I tend to write albums, which I guess is a bit weird.
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I pay attention to lyrics and I know what rap fans care about. I try to write for the average listener and I'm conscious of the mainstream without selling out.
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I mean, the wonderful thing about writing a book is that you're getting a finished product at the end of the day. You're communicating directly with the reader.
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However far fiction writers stray from their own lives and experiences - and I stray pretty far from mine - I think, ultimately, that we may be writing what we need to write in some way, albeit unconsciously.
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It usually takes me 20 to 90 minutes to write a song because once I start, I don't stop. If I start writing a song, and you try to have a conversation with me, you're a bad person.
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The nice thing about writing at home is that it's almost as though I'm doing it already. I get out of bed thinking of my work, and I don't have to go anywhere to do it.
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The first act is writing, the second act is filming, the third act is releasing. If you have to partake in the third act, it hurts the first act of the next one. It's like a prizefight. You get punched.
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I have never been depressed or thrown a plate, which I attribute to the cathartic effects of writing books about people whose lives are more grueling than mine.
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When I cannot see words curling like rings of smoke round me I am in darkness—I am nothing.
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I think I'm a narcoleptic. I could sleep on a railway track with a train running over me, in-between the rails.
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We moved from the East coast to the town of Spokane, Washington, when I was about 13 years old, and I did not adapt very well to the, to the style of the place, and I spent most of my time in the public library.
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I actually find a lot of pleasure in writing lyrics.
