Archy Ivan Marshall (King Krule) Quotes
My mum used to work in New York in Spike Lee's shop; she did the outfits for the video for P.M. Dawn's 'Set Adrift on Memory Bliss.'
Quotes to Explore
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I promised my mom that if, after a year of putting 150 percent into my career it didn't work out, I would go back to school. I never did go back.
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To be honest, before I joined the industry, I knew very little about the fashion world, and I hardly knew any name brands. Probably because the price tags were a little too high, and home girl needed to work.
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Humanity is acquiring all the right technology for all the wrong reasons.
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Glory is attained from hard work, step by step.
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In order to be rated as good as a good man in the field of her earnings, she must show herself better than he. She must be more steady, or more trustworthy, or more skilled, or more cheap in order to have the same chance of employment.
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The first 50 years of the cinema were absolutely great years. Original minds were at work establishing the ways to tell a story. And what is happening now is a copying, a pastiche-ing of what was done by great men.
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I cannot imagine a more enjoyable place to work than in the Laboratory of Molecular Biology where I work.
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I'm comfortable only when there's a mutual attraction. That's what anyone wants. If I find out she's not attracted to me, it brings down my level of attraction to her. If I'm interested and find out she's not, I tend to cool off.
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Here's the miracle: I grew up thinking, 'Wouldn't it be great to write 'Superman' someday? Wouldn't it be great to create my own show, or work on 'Lensman,' or 'Forbidden Planet?' Those were very literally the goals I set for myself, the dreams that I thought I didn't have a chance in hell of ever actually achieving. But it's happened.
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What is sad for women of my generation is that they weren't supposed to work if they had families. What were they going to do when the children are grown - watch the raindrops coming down the window pane?
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I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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I'm not sure how to describe my style. A lot of my work is dark and looks a bit sad, which is strange because I'm such a smiley, over-the-top positive guy who wears gold shoes most days.
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Even today I work with Niall O'Brien, who is far more technically astute than I am, but I still have the clearest idea of every detail I want in my photograph.
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The fictive structure, my work, my imagination, my books are about the details, the huge construction about culture, Islamic culture or modern Turkey. They're all intertwined.
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Doris Lessing really doesn't care what the critics say. In fact, she orders her publishers not to send her the reviews and gets cross with them if they do because she doesn't want that in her head. She's going where she's going, and that's where she wants to go.
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If your work becomes a source of enjoyment and a challenge, it will never seem like work - it will be fun. If you ever feel that your work is a burden, there is no point carrying on with it.
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Big will always be a part of my life. But I'm still on this Earth, so I have to live my life for now and the future.
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When I was in college my girl got me a job at the doctor's office she was working at. I was a file clerk. No disrespect but I don't think a man can do that job. It takes so much meticulous and precise file-keeping.
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Most of my job life has had to do with welfare, first helping people find work and then as an administrator. The earlier experience was more direct and satisfying, and I enjoy thinking that a bunch of people somewhere are doing better today than they might have done if not for me.
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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I've always been a big advocate of making shows affordable because a lot of these bottle-service clubs and events are geared toward really expensive experiences. Club music is for everyone, and it drives me crazy that people are getting priced out.
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The true marker of success is when the creative minds behind a film can sit down and feel that they have succeeded in the mission they set out to accomplish - and that is to make good cinema. If we feel that we have achieved that as a team, then we have all been successful.
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I've never been cocky. Even right now I don't like to talk about the Olympics.
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My mum used to work in New York in Spike Lee's shop; she did the outfits for the video for P.M. Dawn's 'Set Adrift on Memory Bliss.'
