Kelela Mizanekristos (Kelela) Quotes
As it pertains to my black womanhood, there's just a lot of ground to cover. There's a lot of stuff to say.
Quotes to Explore
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From the day of its birth, the anomaly of slavery plagued a nation which asserted the equality of all men, and sought to derive powers of government from the consent of the governed. Within sound of the voices of those who said this lived more than half a million black slaves, forming nearly one-fifth of the population of a new nation.
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I'm black, I don't feel burdened by it and I don't think it's a huge responsibility. It's part of who I am. It does not define me.
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Besides black art, there is only automation and mechanization.
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One of my personal plights in this business is about playing 'The Sassy Black Girl.'
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When I'm around black or white people, I'm always in the middle. Especially when I am around black people; they will really tell how they feel about white people regardless of the fact that I'm also white and have white relatives. It's very interesting and can be really hard.
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The man does not beat your head because you got a Cadillac or because you got a Ford; he beats you because you're black!
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There was no United States before slavery. I am sure somebody can make some sort of argument about modern French identity and slavery and North Africa, but there simply is no American history before black people.
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George Bush doesn't care about black people.
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Do I feel that white directors have to tell only white stories? No. Do I feel that black filmmakers should only tell stories about black people? No. If we say that, then that means Asian people cannot write about anybody but Asians. I don't think a woman should only write about women.
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I like Jay-Z, 50 Cent and Common. But I like the underground stuff like Young Jeezy, Black Rob and Shine. I also love heavy metal like Slipknot and Pantera, It's very intense stuff.
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If your response to the first black president is to say they weren't born in this country... you might be a white supremacist.
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There's something really unique about 'Orphan Black' is that it has a lot of female leads, so it's about a lot of women's stories, but it's not women's stories in terms of trying to find a guy or keep a guy; it's about entirely other things.
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'Black Messiah' is a hell of a name for an album. It can easily be misunderstood. Many will think it's about religion. Some will jump to the conclusion that I'm calling myself a Black Messiah. For me, the title is about all of us. It's about the world. It's about an idea we can all aspire to. We should all aspire to be a Black Messiah.
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There was a time I was no longer going to be black. I was going to be an 'intellectual.' When I was first looking around for colleges, thinking of colleges I couldn't afford to go to, I was thinking of being a philosopher. I began to understand then that much of my feelings about race were negative.
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The less I talk about being black, the better.
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Granny beads are what they're called when a grandma works the garden all day - you always see them - they have a handkerchief around their neck with a lot of dust on them, and then the sweat will go down and make these black beads of sweat and dirt around their neck. And that's what they call granny beads.
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I wanted to inspire people not to work under a bamboo ceiling. Whatever you are - yellow, black, white, brown - you don't have to allow your skin to define who you are or how you operate your business. There's not one face to anything.
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The greatest hope most Americans - including Republicans - had when Barack Obama was elected president was that the election of a black person as the country's president would reduce, if not come close to eliminating, the racial tensions that have plagued America for generations.
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Entertainment came out of this thing called a television, and it was gray. Most of the films that we saw at the cinema were black and white. It was a gray world. And music somehow was in color.
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The contribution of West African languages to Ebonics is absolutely infinitesimal. What it actually is is a very interesting hybrid of regional dialects of Great Britain that slaves in America were exposed to because they often worked alongside the indentured servants who spoke those dialects that we often learn about in school.
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It's time to have a new administration so that we have a fresh energy policy and we don't have this problem.
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As it pertains to my black womanhood, there's just a lot of ground to cover. There's a lot of stuff to say.
