Kelela Mizanekristos (Kelela) Quotes
When it comes to melodies, production, and sound in pop music, people try to be formulaic and solely concerned with what's resonant in a way that is so cheap and ugly. It actually just devolves culture, ultimately.
Quotes to Explore
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It was a great opportunity that I had to take - my very own theater. That comes along once in a lifetime. It doesn't even seem like 15 years ago - time sure flies by. I've really had a lot of fun with it.
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This creed of the desert seemed inexpressible in words, and indeed in thought.
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Don't taunt the alligator until after you've crossed the creek.
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You go where you think it's good for your work and your soul to go. I need to go someplace where I am reminded about why I wanted to act in the first place, and for me, that's the theater.
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You've got to live your life, you've got to enjoy it.
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'Sister Act' was my first audition out of school. I was 21 and cast as the understudy. It was non-Equity, so I lived in L.A. on $300 a week. I did that for a month and then came to New York to do a couple of gigs, including 'Hair' in the park, before going to London with 'Sister Act,' where I played the lead.
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As a child, I remember my dad would sometimes drive me into town with him to play pinball machines together. It's a bittersweet memory but also a favorite.
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I'm a very interior person. I love silence. I revel in it. I'm happy that way.
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Political correctness means nothing to me. Nothing. It's the new Puritanism, darling. Preventing us from expressing ourselves.
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It's just my natural way - to be funny. I don't know why that is. But as I've said, humor is a quick cover for shock, horror, confusion. The critics hate funny writers for the most part. They think funny is not serious, but I think that funny can be even more serious than nonfunny. And it can be more affecting, too.
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The real drawback to the simple life is that it is not simple. If you are living it, you positively can do nothing else. There is not time.
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I have to expend an awful lot of energy actively undoing the impact of my name. Understandably, people assume that I have at least some connection to Iran. The truth is that I don't. I have very little knowledge about the culture, the language, the history. I've never been to Iran. I've never even been inside a mosque.
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I've always thought of fat as just a descriptive word.
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If you're an artist, you're an artist; that's the only way I can explain it.
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The men and women of my generation are heirs to that great collective success which has been admired worldwide and of which we are so proud. It is now up to us to pass it on to the coming generations.
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Anybody that's been in an election, you're always looking to get the upper hand.
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I work legs, upper body, everything. Legs are very important. I do hang cleans and squats - I do primary exercises. Squats work over 60 percent of your muscle mass in your body. The hang cleans work on my explosive movement, which is essential for success.
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Frankly, we actresses are so much in a hurry. We feel we have very few years to shine in our career, so we neglect our personal life. But for me, both aspects are equally important. I don't want to grow old and have regrets.
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It's weird because I am accessible to people on Twitter, and I can choose to read good things or mean things, and people can reach out to me directly and tell me how much they hate me or love the song. It's a very strange new paradigm as an artist to find yourself among this kind of connectivity.
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I try my best to confront situations because I know, at the end of the day, you can deal with it or it will deal with you. I've had enough experience to know that that's how it goes down. There's no going around it.
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Fingerprint readers require special hardware, and a lot of people find them creepy and don't want to use them. Smart cards and tokens can be lost or stolen.
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When it comes to melodies, production, and sound in pop music, people try to be formulaic and solely concerned with what's resonant in a way that is so cheap and ugly. It actually just devolves culture, ultimately.
