Kelis Rogers (Kelis) Quotes
There's a point where you think, 'What else will I do if I don't do music?' It becomes your identity when it never should have been. But food ignited a fire in me, and I came right back to music because it no longer felt like a job. It was a really powerful thing for me.
Quotes to Explore
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The iPod made music mobile, but today, how many devices do you need to walk around with? You want it on just one. And inevitably that's going to be the phone.
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I really loved making 'Love, Nina.' I was in every scene, which was amazing. Bloody hell, what a job!
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I firmly believe that the Constitution is the most powerful challenge to illiberal tendencies. If the Constitution is followed in letter and spirit and if the laws are made in the spirit in which Constitution was made, liberties can indeed be protected.
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Writing songs is an essential part of my life: my mother teaches piano, and I have inherited my grandparents' passion for music, especially from my grandfather Tommy, who was a great drummer. It's no coincidence that I play the drums best, but I am also good with the guitar and the piano.
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Music is all about leadership and there ain't really a lot of leaders.
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I started to write a lot of ballads that were sultry and had a Norah Jones-for-country kind of feel. I wanted to bring elements of old soul music and old country music.
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Boxing is a sport. We allow each other to hit each other, but I'm not treating my opponent like my enemy. We're doing a job to entertain people.
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Most of my early records were not cohesive at all, just collections of demos recorded in different years. 'Odelay' was the first time I actually got to go in the studio and record a piece of music in a continuous linear fashion, although that was written over a year.
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I wanted to have more time to play and reflect, but I find retirement more stressful than having a nice, steady job because I have to make decisions about where I want to be.
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Usually, the music inspires the lyrics. The lyrics just sort of fall off like a bunch of crumbs from the melody. That's all I want them to be - crumbs. I don't want to work any kind of fabricated message.
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Music really gets me going, so I've always got to make sure I have my iPod to give me energy to work out.
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People know not to mess with my friends or my family because it's not going to work out well for you.
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I am a Justin Bieber fan, but I am also so fascinated by how weird pop music can be and how manipulated it can be, so I enjoy thinking about that side of it too. I feel bad for him. I could never imagine growing up that way.
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We spend to pretend that we're upper class. And when the dust clears - when bankruptcy hits or a family member bails us out of our stupidity - there's nothing left over. Nothing for the kids' college tuition, no investment to grow our wealth, no rainy-day fund if someone loses her job.
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Sea spaghetti looks like dark fettuccine and has a similar texture - you can get it in health food stores or online.
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'Lost' seems to be the inverse of 'Air': It explores dispossession and identity by forcing a bunch of people into one invented landscape instead of using many invented landscapes to keep people apart.
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We have more difficult circumstances than most of the Arab countries but in spite of that Syria is stable. Why? Because you have to be very closely linked to the beliefs of the people. This is the core issue.
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World events can shape culture. Music is either a soundtrack for or a narration of changing times. And who knows how that's going to go?
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I started off as a bar band. We played ZZ Top, Bob Seger, Waylon Jennings, the Rolling Stones - everything and anything people wanted to hear. You're not really selling yourself back then; you're selling beer.
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That which is not just, is not Law; and that which is not Law, ought not to be obeyed.
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I was married to a law student, and I used to attend classes with him at Georgetown University Law Center. Being of dramatic bent, I was drawn mainly to Criminal law and Evidence classes. A just-beginning writer, I would find an empty chair and listen, mesmerized, to the lectures.
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Those who would make us feel, must feel themselves.
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Buttons, for me, are very sculptural things, and they are so fascinating.
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There's a point where you think, 'What else will I do if I don't do music?' It becomes your identity when it never should have been. But food ignited a fire in me, and I came right back to music because it no longer felt like a job. It was a really powerful thing for me.
