Paul Simon Quotes
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Far above the golden clouds, the darkness vibrates. The earth is blue. And everything about it is a love song. Everything about it.
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Every generation throws a hero up the pop charts.
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Maybe the heart is part of the mist. And that's all that there is or could ever exist. Maybe and maybe and maybe some more. Maybe's the exit that I'm looking for.
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I stepped outside to smoke a J and when I came back to the room, everybody just seemed to move.
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Cecilia was made in a living room on a Sony. It was like a little piece of magical fluff, bur it works. El Condor Pasa a Los Incas record that I love. Bridge is a very strong melodic song.
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You sit and you let your fingers go to wherever they are going to go. You wait until you start to hear something, and you start to figure out what it is that you're doing. And then you add another piece next to that piece, and wait to see if some kind of pattern or something interesting starts to grow, and then you cultivate it.
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Breakdowns come, and breakdowns go.
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After all those years of automatic success, you don't get nervous any more. It's really necessary to be nervous and be a little bit frightened. It pumps the adrenalin into you and you really get down there and try.
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I'm laying out my winter clothes and wishing I was gone, Going home, where the new york city winters aren't bleedin' me.
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The public hungers to see talented young people kill themselves.
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I really don't know what exactly all the songs mean. Sometimes other people have meanings and when I hear them I think, 'That's really a better meaning than I thought, and perfectly valid, given the words that exist.' So part of what makes a song really good is that people take in different meanings, and they apply them, and they might be more powerful than the ones I'm thinking.
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They've got a wall in China, it's a thousand miles long. To keep out the foreigners, they made it strong. And I've got a wall around me, you can't even see.
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I sort of recognize it, as opposed to shaping it. Oh, that's a good idea, that's a good line. I wonder where I can use that. And when you get into a rhyme group like 'not,' you got a lot of rhymes, you got a lot of choices. The more you do it, the luckier you get.
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I try to open up my heart as much as I can and keep a real keen eye out that I don't get sentimental. I think we're all afraid to reveal our hearts. It's not at all in fashion.
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Having a track record to live up to and the history of successes had become a hindrance. It becomes harder to break out of what people expect you to do.
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Take me. I'm an ordinary player in the key of C. And my will was broken by my pride and my vanity. Who's gonna love you when you're looks are gone? God will. Like he waters the flowers on your window sill.
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My whole artistic life has always been about change, change, change, move on, move on. It's the only thing I find interesting.
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She said, why don't we both just sleep on it tonight, And I believe, in the morning you'll begin to see the light. And then she kissed me and I realized she probably was right, There must be fifty ways to leave your lover, fifty ways to leave your lover.
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There is a moment, a chip in time, when leaving home is the lesser crime.
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We're living in a certain time, and we're aware of it. And that's part of what we're aware of, along with our own personal aches and pains.
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A man walks down the street. It's a street in a strange world. Maybe it's the third world. Maybe it's his first time around. He doesn't speak the language. He holds no currency. He is a foreign man. He is surrounded by the sound, sound of cattle in the marketplace, scatterlings and orphanages. He looks around, around he sees angels in the architecture spinning in infinity and he says, "Amen" and "Hallelujah!
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I rate each album as better than the last one. That's how I see it.
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It's pointless to be critical of your stuff once it's done. I don't spend a lot of time agonising over it. It's of no importance once it's finished.
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The more I get to thinking, the less I tend to laugh.