Colson Whitehead Quotes
I was allowed to write about race using an elevator metaphor because of Toni Morrison and David Bradley and Ralph Ellison. Hopefully, me being weird allows someone who's 16 and wanting to write inspires them to have their own weird take on the world, and they can see the different kinds of African American voices being published.Colson Whitehead
Quotes to Explore
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Under conditions of tyranny it is far easier to act than to think.
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Celebs says we have no time for love, but I wouldn't say that.
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Women are blessed with energy - a power which is unique. I have been very fortunate to have played strong women and explored their strengths through my films.
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You must always do what you feel is right.
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I don't want to say anything because I know I am unable to protect you from the harm that I see.
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Anyone in the comedy world knows that Horatio Sanz and Chris Parnell are two of the funniest guys around.
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Wise is he who enjoys the show offered by the world.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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Seriously, who doesn't want to slap a 27-year-old movie star?
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If at first you don't succeed, failure may be your style.
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I had formed a black movement, so I would speak for the Trotskyist movement and then walk about a hundred yards to where the black movement was speaking.
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Instead of going out to dinner, buy good food. Cooking at home shows such affection. In a bad economy, it's more important to make yourself feel good.
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I'm like all parents who try to shelter their children.
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The unyielding resistance of the Cuban patriots is symbolized by our 5 Heroes. They shall never back down! They shall never surrender!
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You could argue that 'Sweeney Todd' was romantic, if you looked closely at it, but it didn't impart that to its audiences. But it's large, and it's melodramatic, and it's a style I like to work in periodically.
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The people are more important than the food. We want a person to be as successful as he can be, and it works the other way around, too.
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I do think it's important, if you're going to be very creative, to be a seeker.
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It's more important to try to do something for the crores of poor people of my country.
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I went to Floridita on Wardour Street when I was 18. All I could afford was pumpkin soup and a glass of champagne, but it was worth it.
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Even if I'm making music for people for $20 a night, at least I'm making music.
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I most certainly am not harboring any sort of negative feeling toward the gay community. I don't have an opinion on people with different religious, sexual or political preferences. I'm one of the most liberal artists that I think you will ever meet, and I pride myself on that.
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Today we stand on a bridge leading from the territorial state to the world community. Politically, we are still governed by the concept of the territorial state; economically and technically, we live under the auspices of worldwide communications and worldwide markets.
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The world is now too small for anything but brotherhood.
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I was allowed to write about race using an elevator metaphor because of Toni Morrison and David Bradley and Ralph Ellison. Hopefully, me being weird allows someone who's 16 and wanting to write inspires them to have their own weird take on the world, and they can see the different kinds of African American voices being published.
Colson Whitehead
