Colm Toibin Quotes
All writing is a form of manipulation, of course, but you realize that a plain sentence can actually do so much.
Quotes to Explore
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You can be an Olympic champion in 9.5 secs, but to be the greatest, there's more to it. It takes a bit of forethought and a lot of mental application.
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I was always interested in the kind of history they didn't teach you in school.
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You can't win if you don't play as a unit.
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Looking up and out, how can we not respect this ever-vigilant cognizance that distinguishes us: the capability to envision, to dream, and to invent? the ability to ponder ourselves? and be aware of our existence on the outer arm of a spiral galaxy in an immeasurable ocean of stars? Cognizance is our crest.
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As with lemon juice, the more sorrel you use, the more it has to be balanced with something sweet, starchy or creamy - it's a yin-yang approach to cooking that I find rather calming.
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To me, a critic is some loser who has no idea... someone with an opinion. We all have opinions. No offense, but what makes them dictate what is cool and what is not.
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I was a very physical child... I was a tree-climber; I was a tomboy.
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You know, I've had an incredible career and I'm blessed.
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There was one man in the Labour government, Robin Cook, whom I had a very high regard for. He had the courage to speak out and to resign over Iraq. He was an admirable man. But resignation over a matter of principle is not a very fashionable thing in our society.
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A plan is always successful if the plan is good.
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The Arab states don't seem to do a good job of providing for their own people, so I am not sure why they would suddenly develop an ability to help the Palestinians.
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The emperor is in the Church, not above the Church.
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I started off singing in church as a child. The sound of voices coming together, that was my first moment of touching something outside of myself.
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Love cures people - both the ones who give it and the ones who receive it.
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I don't trust Santa Barbara as far as I can spit. I am afraid that if I went back there, it's possible that I could be run through their system, their judicial system, and wind up in some county jail where I could be killed and I'm not gonna take that chance.
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As a 17-year-old, I remember positively dreading dance sequences. I would come to shoots, quaking with nervousness at the idea of making other artistes do retakes due to my mistakes.
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I save everything. I have these carefully organized file boxes. Somewhere in there is a section of the 'New York Times' where I wrote 'The Border Guard' in the margin.
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I used to get a shiver if I thought about holding balloons, because I was scared of floating away.
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The legacies that parents and church and teachers left to my generation of Black children were priceless but not material: a living faith reflected in daily service, the discipline of hard work and stick-to-itiveness, and a capacity to struggle in the face of adversity.
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'An Octoroon' was written over about three years but premiered in 2014. I'm writing about America's relationship to its own history. Race or not, it's a story about suppression and oppression and many populations being devalued systematically.
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It would follow that 'significant form' was form behind which we catch a sense of ultimate reality.
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As I've gotten older, I've had to change my food intake.
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But when I go to Chicago, I know I'm home.
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All writing is a form of manipulation, of course, but you realize that a plain sentence can actually do so much.
