Colm Toibin Quotes
All writing is a form of manipulation, of course, but you realize that a plain sentence can actually do so much.
Quotes to Explore
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You can be an Olympic champion in 9.5 secs, but to be the greatest, there's more to it. It takes a bit of forethought and a lot of mental application.
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I was always interested in the kind of history they didn't teach you in school.
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You can't win if you don't play as a unit.
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Looking up and out, how can we not respect this ever-vigilant cognizance that distinguishes us: the capability to envision, to dream, and to invent? the ability to ponder ourselves? and be aware of our existence on the outer arm of a spiral galaxy in an immeasurable ocean of stars? Cognizance is our crest.
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As with lemon juice, the more sorrel you use, the more it has to be balanced with something sweet, starchy or creamy - it's a yin-yang approach to cooking that I find rather calming.
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To me, a critic is some loser who has no idea... someone with an opinion. We all have opinions. No offense, but what makes them dictate what is cool and what is not.
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I was a very physical child... I was a tree-climber; I was a tomboy.
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You know, I've had an incredible career and I'm blessed.
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There was one man in the Labour government, Robin Cook, whom I had a very high regard for. He had the courage to speak out and to resign over Iraq. He was an admirable man. But resignation over a matter of principle is not a very fashionable thing in our society.
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A plan is always successful if the plan is good.
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The Arab states don't seem to do a good job of providing for their own people, so I am not sure why they would suddenly develop an ability to help the Palestinians.
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The emperor is in the Church, not above the Church.
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I started off singing in church as a child. The sound of voices coming together, that was my first moment of touching something outside of myself.
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Love cures people - both the ones who give it and the ones who receive it.
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I don't trust Santa Barbara as far as I can spit. I am afraid that if I went back there, it's possible that I could be run through their system, their judicial system, and wind up in some county jail where I could be killed and I'm not gonna take that chance.
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As a 17-year-old, I remember positively dreading dance sequences. I would come to shoots, quaking with nervousness at the idea of making other artistes do retakes due to my mistakes.
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I save everything. I have these carefully organized file boxes. Somewhere in there is a section of the 'New York Times' where I wrote 'The Border Guard' in the margin.
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I used to get a shiver if I thought about holding balloons, because I was scared of floating away.
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Our scans showed that Broca’s area went offline whenever a flashback was triggered. In other words, we had visual proof that the effects of trauma are not necessarily different from—and can overlap with—the effects of physical lesions like strokes. All trauma is preverbal.
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I'm writing from a place of - a center of authenticity, somewhere that only I know how to write from.
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In the spring of 1988, my wife, Joan Didion, and I were approached about writing a screenplay based on a book by Alanna Nash called 'Golden Girl,' a biography of the late network correspondent and anchorwoman Jessica Savitch.
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It's funny when you start writing an album and then recording - the songs begin to take on a spirit of their own. Once you start to perform it live, this happens even more so than in the studio. They really start to develop a personality that takes shape over time with the audience.
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'I'm no preacher but I can tell you this-the lives that people lead are driving them crazy and their insanity comes out in the way they drive.'
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All writing is a form of manipulation, of course, but you realize that a plain sentence can actually do so much.
