Chuck Klosterman Quotes
Flying to me isn't scary, it's just incredibly boring. And I guess I have a fear of boredom, so in that regard, I'm afraid to fly.
Quotes to Explore
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I never pursued being 'famous.'
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For most of my career, I've played roles that were written for other actresses.
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It takes a great man to be a good listener.
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My kind publishers, Toby Mundy and Margaret Stead of Atlantic Books, have commissioned me to write the life of Queen Victoria.
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When you're writing a novel - at least the way I write is I work from what I would call 'emotional atmosphere,' ambiance to ambiance.
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My childhood began, as everybody's childhood begins, with prejudices. Man finds prejudices beside his cradle, puts them from him a little in the course of his career, and often, alas! takes to them again in his old age.
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If you are a writer or any kind of artist, if you change something as fundamental as where you live - the way you live - then I think you change the very instrument that is trying to make the art.
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We felt like, first and foremost, we were songwriters.
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I get more fulfilment from being a father than I do from being an actor.
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I'm just a normal young lad who plays football.
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I've found out how overwhelming the media is and the way it drills things into your head, it's almost like a mind control. If I could control prople's minds, I'd like to put something useful in.
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By the end of 2020, the only region of the world that will still have a lot of 2G connections may be Africa.
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I think sometimes good sentimentality is fun when it's balanced.
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Prejudice of any kind implies that you are identified with the thinking mind. It means you don't see the other human being anymore, but only your own concept of that human being. To reduce the aliveness of another human being to a concept is already a form of violence.
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If the culture shifts, if people think differently about women, the art will shift, too. You can't ask art to make social change. It's not what it's for.
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I got into DJing and making beats when I was about 17. I was always fascinated by the four elements of hip-hop: you know, writing, rhyming, breakdancing and graffiti.
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Stuart Murdoch is a really special human being - really creative, but also really kind and gentle.
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I have seen many ladies displaying different styles and different styles displaying ladies.
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In terms of 'Solaris,' I didn't really think about the religious aspect an awful lot. There's one scene at a dinner party, and it's discussed, but it wasn't an overwhelming theme for me.
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When I was teaching in the 1960s in Boston, there was a great deal of hope in the air. Martin Luther King Jr. was alive, Malcolm X was alive; great, great leaders were emerging from the southern freedom movement.
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Where danger shews it self, apprehension cannot, without stupidity, be wanting; where danger is, sense of danger should be; and so much fear as should keep us awake, and excite our attention, industry, and vigour; but not to disturb the calm use of our reason, nor hinder the execution of what that dictates.
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I play a lot of those parts, and it's a chicken-and-egg thing. I don't know whether you get scary because you play those parts or did you get those parts because you were scary? But I do believe that there's a very close connection to what's scary and what's funny. So I think if you have the ability to do one, you might have the ability to do the other.
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My character and personality is today and tomorrow; I do not work well remembering further back.
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Flying to me isn't scary, it's just incredibly boring. And I guess I have a fear of boredom, so in that regard, I'm afraid to fly.
