Chuck Norris Quotes
Quotes to Explore
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I don't want to be polite. I don't think campaigning is polite. That's a disingenuous effort.
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I don't do grey. I like my colour, my style.
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It is unsafe to take your reader for more of a fool than he is.
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How people treat you is their karma; how you react is yours.
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To die, to be really dead, that must be glorious. There are far worse things awaiting man than death.
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Whither goest thou, America, in thy shiny car in the night?
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I've started doing my coaching badges, I'd like to be a manager one day.
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I didn't know I was compared to Elizabeth Montgomery, but I think that I'm in very good company with her.
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We're born alone, we live alone, we die alone. Only through our love and friendship can we create the illusion for the moment that we're not alone.
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As an actor, you don't want to play a one-dimensional character.
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To be successful in struggle requires remembrance of the Creator and the doing of good deeds. This is important because successful struggle demands that there be a kind of social consciousness.
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I love a mask. It's why I've got a thing about good writing. When you're acting, you're going into someone else's work. You're behind his words; it's not you.
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I am so in tune with my body that I know how it should feel.
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The world is indeed a mixture of truth and make-believe. Discard the make-believe and take the truth.
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Oh the innocent girl in her maiden teens knows perfectly well what everything means.
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A modern health and social care system has to be completely focussed on the needs of its users.
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My message is: You don't have to give up being popular, fun, or fashionable in order to be smart; they can go hand and hand. Doing math is a great way to exercise your brain; being smart is going to make you more powerful in life.
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I think that the good and the great are only separated by the willingness to sacrifice.
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Our culture is at its best when we protect and encourage the weakest. Every life - at every stage, in every place - has a dignity beyond our imagining.
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When these guitar mags bring up that stuff up and say such and such came up with this and that which is pushing the boundaries, I just say, "let's step back for a minute and admit something: nothing has happened for the last 100 years." And it's okay. It's not a bad thing ... We're all working with "tools" that have been in existence for the last 100 years and there hadn't been a new "tool" for a long long time.
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People remember the last thing you did.
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I'm kind of a creature of the alt-weekly universe - my real education into higher culture was acquired in coffee shops, reading those papers, digging into that lively mishmash of opinion for drift, a sense of what to see, what to hear, what to read, etc. - and I'd like to think that scene's still vital, although I understand there's been a fair amount of conglomerating, which would seem to undercut its radical roots, its funky local flavor. I'd encourage any writer with an eye for life and an ear for prose to give it a try. You can work out your chops just fine in newsprint.
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So much of the research on musical expertise has looked for accomplishment in the wrong place, in the facility of the fingers rather than the expressiveness of emotion.
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The only time we fail is when we stop trying.
