Nicholson Baker Quotes
I hadn't played any music since freshman year of college, more than thirty years ago, so I had to relearn everything. I started writing songs. Some were dance and trance songs (I listen to them a lot while I'm writing), and some were love songs, because that after all is what music is about - dancing and trancing and love and love's setbacks.
Quotes to Explore
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Those who condemn gay marriage, yet are silent or indifferent to the breakdown of marriage and divorce, are, in my view, missing the real issue.
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I always wear the same thing at home. I can't be bothered with jewelry. My pants have elastic waists. I like to be comfortable. There are so many more important things to worry about.
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Let that which stood in front go behind, let that which was behind advance to the front, let bigots, fools, unclean persons, offer new propositions, let the old propositions be postponed.
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I'll always be back to the stage. I have no doubt that the stage will always call me back. There will always be a character that no one else can play, and I'll be back to play it.
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Do we really want Washington administrators coming between us and our doctors?
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One of the things I wonder is whether it's good that the whole free model makes a lot of people listen to more of your music. I'm wondering if it devalues it, it becomes disposable, because you can get it so easily.
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Let me go to hell, that's all I ask, and go on cursing them there, and them look down and hear me, that might take some of the shine off their bliss.
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I like to go out and write. So I'll often go to a Starbucks or a local coffee bar, and I'll sit there and I'll write. I can write pretty much anywhere.
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There are certainly things labels can still provide that indie artists can't. They can pave the way to radio and pay big bucks for promotion.
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The Arab states don't seem to do a good job of providing for their own people, so I am not sure why they would suddenly develop an ability to help the Palestinians.
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I like children; I like 'em, and I respect 'em. Pretty much all the honest truth-telling there is in the world is done by them.
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I watch vlogs on YouTube. I watch Jenna Marbles a lot - I think she's really funny - and a lady called Daily Grace.
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My father taught me photography. It was his hobby, and we had a small darkroom in the fruit cellar of our basement. It was the kind of makeshift darkroom that was only dark at night.
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I've been grateful that 'Time's' reach and mandate is so broad; anything you're interested in, you can usually write about.
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We should not have drug laws or a court system that disproportionately punishes the black community.
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I had the benefit of watching good people show me what it really is to be an actor – the day in and day out of it.
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Part of what's so tricky in a film that's two hours long is how many themes can you effectively explore.
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On Nov. 5, 2012, my friend Elliott Carter died in New York at the age of 103. For me, he was and remains one of the most interesting figures of music history in the past century.
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There's always a special feeling I have while writing any song.
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Every time somebody asks me, 'Oh, when you mix your own music, what are you going to make?' And I don't know.
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My writing is about connecting ways of talking to human relationships. My purpose is to show that linguistics has something to offer in understanding and improving relationships.
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I didn't make any money from my writing until much later. I published about 80 stories for nothing. I spent on literature.
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I love women.
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I hadn't played any music since freshman year of college, more than thirty years ago, so I had to relearn everything. I started writing songs. Some were dance and trance songs (I listen to them a lot while I'm writing), and some were love songs, because that after all is what music is about - dancing and trancing and love and love's setbacks.
