George Benson Quotes
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'I Want To Hold Your Hand' is a great classic by Paul McCartney and John Lennon, I sure love that song. I did like the classic version, a rock-oriented song, then someone heard me do it with the Grant Green approach - Grant Green and Larry Young did it, with a bossa nova beat on the funky side.
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I actually got discovered in my hometown of Pittsburgh, Pennsylvania by a man who worked at a place that sold barbecue sandwiches!
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Andres Segovia, the great name for guitar, he put classical guitar on the map. He was the proponent of it, the best in the world. So I was listening to a record that he had made, and a little bauble happened in the middle of the record. A finger slipped, and I said, 'Wait a minute. He's not allowed to make mistakes,' - my mind.
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I never gave up on that idea, you know, that jazz musicians have the same opportunity as everybody else and that it's what you put on that record that makes the difference whether you sell it or not or are able to get it into people's households.
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My stepfather had an electric guitar. He went to his pawn store one day to get a guitar and an amp, and I couldn't understand what I was hearing. All afternoon, I just sat against the amp and let it reverberate through me. Something must have stuck.
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I have been doing music all my life so everyday when I get up I expect music will be part of it.
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No matter what they take from me, they can't take away my dignity.
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People who love jazz musicians love us when we play what we want to play and we're starving. But as soon as you commercialize your sound like Wes Montgomery did, the jazz fans and the critics are down on you!
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The less one remembers about the day before, the more the new day will be unfettered by triviality.
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Of course we've lost so many superstars who've made jazz what it is. We've lost so many musicians who created new things and changed the way we think about music and who took jazz to a new level. So jazz is suffering from that. But we still have a lot of incredible people playing jazz in the world. We have a lot of people leading the way.
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Columbus is taking off and it's about to boom, this is a hot town right now.
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As my career has progressed, I've had the pleasure of playing with the baddest jazz cats on the planet. But that doesn't change my desire to entertain folks. That's really who I am.
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Larry Carlton is an incredibly versatile guitarist who has been a major force for guitar for many years. He is easily recognizable - all you have to do is hear him once and from that point on you'll be a fan, just like me. It gives me great pleasure to extend congratulations to Larry on his 2011 George Benson Lifetime Achievement Award. Congratulations !
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My whole career from the early 70s on has been mind-blowing. I didn't imagine in my life that I would ever be considered a guitar player first of all because I started off as a singer.
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The melody is the most important thing that must stay in the minds of the people who listen to you. No matter how many notes you play, you can't let them forget what the song is.
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I listen to other guitar players, yeah. It gives me new concepts and shows me where the instrument is going for the future and it is going some places. There are some musicians who are really putting out a good vibe with new theories. I try and keep up.
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The first time I tried to sing along with my guitar, everybody in the studio booed. They all said it wouldn't work.
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Guitar gigs were everywhere in the '50s, and I started diddling around so I could keep working. Playing honky-tonk, simple stuff. I took a few gigs with an organ band that put me out front.
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I like Simon Cowell - look at how many great artists have come out of the U.K. because of him.
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Never give up on a good thing, never give up, never give up!
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Love songs are one of the great essences of life, the only thing thats lasting.
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I like to sing because my mother was a singer. She sang to me all the time, so I learned to love singing. I did have a career as little 10-year-old George Benson. I made my first record as a vocalist, but I've been playing guitar since I was 9.
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There is no finer guitarist than Kenny Burrell
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I spent a lot of time teaching myself theory and harmony so I could be free to express myself on the instrument. I learned what relatives and substitutes could be played against a root of a chord, like E minor related to G, and so forth. I've also gathered all this knowledge because for ten years all I've done is play jazz, every day.