Ciaran Hinds Quotes
I never saw myself as being a cop on TV. I come from theatre, and I always go back every couple of years.
Quotes to Explore
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If we are a metaphor of the universe, the human couple is the metaphor par excellence, the point of intersection of all forces and the seed of all forms. The couple is time recaptured, the return to the time before time.
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After Halle Berry does her films and Queen Latifah does her films, it's left to all the black, Latino and Asian actresses to fight over a couple of roles. I opted for some TV. There's just not a ton of work in film.
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If you get a guy that can play a couple positions, it helps you out a real lot.
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It's a scary thing going into the workforce with a $50,000 debt and you've been trained as a classical theatre actor. There's always a depression in the theatre.
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Most of the umpires, it's amazing: 98 percent of them will not hold a grudge. I always felt a couple of them did. I never wanted to argue with an umpire in my life.
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I have laughter dates with myself, where I find comics on YouTube and watch them. Louis C.K. was my first laughter date a couple years ago. I'll also watch those videos of people doing idiotic things. That cracks me up.
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When I was 16, I definitely burned a couple of bridges by saying, 'I won't do this!' I was not diplomatic about it. I came to a fitting and was like, 'I don't wear fur; cancel this show!'
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I could be happy doing something like architecture. It would involve another couple of years of graduate school, but that's what I studied in college. That's what I always wanted to do.
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I started in theatre, and for me, it was all about transformation. You transform into the character that you're playing.
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To get ready to climb Everest, I did a lot of hill running with a daypack on and a lot of underwater swimming. I would swim a couple of lengths underwater and then a couple above. It gets your body going with limited oxygen.
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I loved living and breathing theatre so much that I decided I had to find a way to bring my desire to act and my ability to support myself together. I'd run through the possibilities in Washington, so that meant moving to New York.
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I started in theatre. I went to the Boston Conservatory and majored in musical theater.
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I wanted to play rocking country music, and when I started out in the late Seventies, it took me a couple of albums to figure out how to do that.
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It's physically hard for me to work. I start to break down, physically. My joints start. I get weepy eyes. I don't sleep well. I was never a hard worker, I guess. So the voiceover work ethic is really great for me - couple days a month, two hours a day.
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I need to decide whether to apply for college or delay it for a couple of years while I pursue some more acting projects. Right now I'm trying to sort things out, so I can make the right choices.
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I'd played in about four or five bands before we started up, only a couple of which did club dates.
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For the price of a couple of Happy Meals, you can buy a digital textbook and stop your child from having to carry around a six-pound book.
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Once in a while, when I'm out on the lawn, I'll jump around and do a couple of things. Here's a secret: The older you get, the more difficult it gets. The smallest little injury stays with you for so long. But that's how it goes, and it doesn't stop me. I'm always ready to do something that hurts a little!
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I wasn't born with a silver spoon in my mouth; I came from really humble beginnings - the projects of New York City - and I worked my way to get to where I am.
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To be kind is more important than to be right. Many times, what people need is not a brilliant mind that speaks but a special heart that listens.
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There is a lot of stuff now that is in bad taste, and I don't see the necessity for it all. We didn't have to do it in our time, and they don't have to do it now.
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I guess Surrealism has a draw for me because it's an unknown world. It's a world of subconscious. Some things you can't really get your hands on very easily. Things that are kind of nebulous and they feel like they're not completely formed. You have to feel your way through that.
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The tradition has always been that in Roman films, the Romans are always British, and it's usually posh British: Laurence Olivier and his ilk. My take on all this was that it's a metaphor for empire and the end of empire.
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I never saw myself as being a cop on TV. I come from theatre, and I always go back every couple of years.
