Clare-Hope Ashitey Quotes
If I only worked in England for the rest of my life, I wouldn't feel like I failed.
Quotes to Explore
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I've done nothing but show up and fight, go to work inside the Octagon, outside the Octagon, and do things right. But people want to talk about me and discredit me.
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I think 4 percent growth is a good goal. And I think the fact that we have become used to an economy that sort of putt putts along between 1 and 2 percent is sort of tragic.
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But, I don't know, the violence, I can't even talk about. We don't do a lot of violent shows. When I started in television, breaking a pencil was a violent act.
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I was certainly a better actor after my five years in Hollywood. I had learned to be natural - never to exaggerate. I found I could act on the stage in just the same way as I had acted in a studio: using my ordinary voice, eliminating gestures, keeping everything extremely simple.
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People turn into fools when they see a movie star and do weird things.
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I believe in the impossible because no one else does.
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I'm the most Colombian of the Colombians, even though I've lived 47 years outside of Colombia. I've lived 13 years in New York, and I never did a painting about New York. I've lived in France more than 30 years, and I've never painted Paris.
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I've performed Schoenberg's 'Pierrot lunaire' many times.
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Unless you work for '60 Minutes', your life is: You do stories about things, and nothing happens as a result.
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You should always leave the party 10 minutes before you actually do.
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I had a monumental idea this morning, but I didn't like it.
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I don't move away from grief, rather through it.
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I am upset and completely disappointed in the government, the millionaires and billionaires in the U.S. See what's happening to the country? Look at all the health problems, the economy, the recession and crime.
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As you become more clear about who you really are, you'll be better able to decide what is best for you - the first time around.
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I can see quite clearly that if there was a single event that launched me on the road to ultimate involvement at the heart of South African politics, it was an assault on an African woman by her white employer in a kitchen in Fort Hare.
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You compose because you want to somehow summarize in some permanent form your most basic feelings about being alive, to set down... some sort of permanent statement about the way it feels to live now, today.
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I used to dress like Roger Taylor when I was ten because I thought he was cool. In high school, I used to dress like Stephen Perkins from Jane's Addiction because I thought he was cool. You just want to be those guys when you're that age.
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For my part, I confess I seldom listen to the players: one has so much to do, in looking about and finding out one's acquaintance, that, really, one has no time to mind the stage. One merely comes to meet one's friends, and show that one's alive.
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I think the future of psychotherapy and psychology is in the school system. We need to teach every child how to rarely seriously disturb himself or herself and how to overcome disturbance when it occurs.
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My way of expression is full of complications and mystery because that's my perception of life.
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You can learn to write. But what you write is something that depends on your taste and on your vision or whatever. Also, of course, the music I listened to inspired my idea of music. When people ask me "Where's your inspiration? Where does it come from?" I have no idea. Music is about music. Not about life and love.
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I always say writing a play is like toothache: I find it incredibly painful, and it's only once the play's out that the pain is gone.
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If I only worked in England for the rest of my life, I wouldn't feel like I failed.
