Clarence Clemons (The Big Man) Quotes
Going through all of this physical stuff, it's been a tough job. But I've loved every second of my life.
Quotes to Explore
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It's always fun teasing the person. When they ask if I'm gay, I say, 'Oh, I don't know.'
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Sometimes people can put way too much emphasis on looking 'hot' which can be stressful and put you in your head.
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I'm used to being in the minority. I'm a left-handed gay Jew. I've never felt, automatically, a member of any majority.
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I'm the type of person, I have to study to get an A on the test.
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I never wanted to give up my given name. I'm proud of it, but the only problem was that no one remembered it. It was just a little too awkward, and they mispronounced it so frequently.
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That which prematurely arrives at perfection soon perishes.
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Nothing exists except through language.
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I shall have a beautiful dream tonight. I also wish everyone to have a beautiful dream.
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I think God gave us senses of humor, and we should use them.
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We love a tale of heroes and villains and conflicts requiring a neat resolution.
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It is a most mortifying reflection for a man to consider what he has done, compared to what he might have done.
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I don't run after successful directors. I give importance to the content of the film.
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I find television, and particularly live television, very romantic: the idea that there is this small group of people, way up high, in a skyscraper in the middle of Manhattan, beaming this signal out into the night.
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You get steely nerves playing poker.
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I always say 'thriller;' if they see you're a woman - and you're a blond woman - people assume you're writing about cats and romances where somebody has died.
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I find Indian music very funky. I mean it's very soulful, with their own kind of blues. But it's the only other school on the planet that develops improvisation to the high degree that you find in jazz music. So we have a lot of common ground.
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All the old great companies were run by guys who knew what an animator meant, and guys who knew how to draw. All the companies today are run by executives.
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In reality, I've always been an actor - since I was a kid. I did theater growing up in New York. I was always in the plays in school. I was either going to be an actor or an athlete or a soldier. Those were kind of the three paths that I always kind of embarked on.
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Our lives are now in a telephone, all our data, all our finances, all our personal information, and so it's proper that we have some constraints on that. But it's not going to be 100 percent. If it is 100 percent, then we're not going to be able to protect ourselves and our societies from some people who are trying to hurt us.
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Every writer has written a spec. It's the first thing you write, and it basically stands as a means of, 'Here's an example of how I tell stories.' It's almost like a business card.
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You know, that single girl life and that sense of isolation - that doesn't leave you just like that. And that's what that song is about. I remember that, and that is imprinted on me, that sense.
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The success or failure of a life, as far as posterity goes, seems to lie in the more or less luck of seizing the right moment of escape.
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I think that everyone who is going to really move up has got to go through some trauma...I'm much more respected in my new job, than I was as the head of the Warner Group, because I survived being thrown out the window, going splat on the concrete, and walking.
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Going through all of this physical stuff, it's been a tough job. But I've loved every second of my life.
