Clay Shirky Quotes
Quotes to Explore
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Because I was poor I had one special advantage. When you are poor, and basic survival is your concern, you have no alternative but to be an entrepreneur. You must take action to survive just as you must take action to seize an opportunity.
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Detroit is saying that the hydrogen vehicle is the vehicle of the future. But it's 15 years from now.
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I decided I ought to pick a project that would not be controversial, that would not really cost the government a lot of money.
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In combat sports, personalities are what draw.
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You can wear anything as long as you put a nice pair of shoes with it.
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There are so many different criteria for my collecting, and I have to confess that the goalposts do shift. But obviously, with my background, I am particularly drawn to things that have been documented in contemporary magazines.
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If I could set a world record, it would be that I have 150 business partners, all with thriving businesses of their own that started with nothing and I made the difference to make them all billionaires.
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I come from a generation that suffered school lessons in portacabins and crumbling hospitals. I tell you one thing, for the eighteen years they were in power the Tories did nothing to fix the roof when the sun was shining.
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When I'm actually writing by hand, I get more of a sense of the rhythm of sentences, of syntax. The switch to the computer is when I actually start thinking about lines. That's the workhorse part. At that point, I'm being more mathematical about putting the poem on the page and less intuitive about the rhythm of the syntax.
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It's easy for me to care about Toronto, because Toronto is a community that cares about itself. It represents the world. It talks to itself, and because it does, it figures out that there must be a music garden as part of its existence.
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Women often come up not knowing how to make decisions. We get wishy-washy. We become great wage earners - breadwinners - but we don't know how to control empires.
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I think one of the most boring things is a person's taste.
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There's the part of my life that the public and I share together. And there's the part that's mine to keep for myself. And that's mine. For me.
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I'm like a packrat with work. I hoard my jobs.
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The Russians obtained a number of plants under Lend-Lease, which had been authorized by Washington, that I thought were not justified for their war effort. They wanted them for postwar use.
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I had already played a lead on Broadway before I ever did a film. I had had three, four seasons of stock with good, fat parts, good supporting and leading parts. And I had done, oh, God, over 400 live TV shows.
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Every industry has slack times, and everyone has bad days at work.
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I think it's harder than ever to be an artist. I think that you end up, especially as a middle-aged person, you pay such big consequences for saying, 'I'm just going to devote my life to making art,' or 'I'm going to devote my life to writing novels.' You end up with no resources.
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I've come up in the scripted world, and I have wished there were more time slots for us to tell compelling scripted stories and not fill the airwaves with a lot of fluff and tabloid entertainment.
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What really matters is who you are when you step on the field, and I will let my bat and my glove speak for themselves.
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I was raised to believe that excellence is the best deterrent to racism or sexism. And that's how I operate my life.
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If publications want to publish images and stories from a certain person, they should put that person on assignment, cover his or her expenses, make sure they have access to security briefings and experts, someone to administer first aid, etc.
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Sometimes directors come to me when I have to play some horrible thing, scary or hysterical or crying; they ask, 'Did you study somewhere to be an actress?' No, this is life. That's why I think I don't want to say you need a really bad experience to be a good artist, but bad experiences in your life say something.
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When we change the way we communicate, we change society.
