Clifford Geertz Quotes
The 'control mechanism' view of culture begins with the assumption that human thought is basically both social and public - that its natural habitat is the house yard, the market place, and the town square.
Quotes to Explore
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Give me chastity and continence, but not yet.
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You've got to live your life, you've got to enjoy it.
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I was very influenced by movies; I was very influenced by a world that had a sense of dream.
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I have a very intimate knowledge of the world of the mentally ill and of life inside of, especially, public hospitals and the way people are treated in there and the way that they try to survive in there.
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Not to speak disparagingly of Justin Bieber or Rihanna, but they're not so hands-on with their image or their sound. They don't write the music. They have people doing things for them.
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The American dream always meant that anybody willing to put in a hard day's work could make a decent living. That's just not true anymore for people without at least some post-high school education.
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In the military I could exercise the power of being automatically respected because of the medals on my chest, not because I had done anything right at the moment to earn that respect. This is pretty nice. It's also a psychological trap that can stop one's growth and allow one to get away with just plain bad behavior.
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Nothing is as frustrating as arguing with someone who knows what he's talking about.
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I don't read the press, I don't watch endless music TV.
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Everyone asks me if I'm the princess or if my brothers beat me up. The younger ones I can deck pretty easily. With the older ones, it's harder.
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I'm not sure if I want to continue to work when I have kids.
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The mud is cold when you're in the north of Scotland!
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Well, put it like this, if you're not a kid, you're a wizard.
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How do you sustain yourself when all the old structures people looked to for support - religion, family, ethnic solidarity - are crumbling, or feel so false that you refuse to avail yourself of them? What comes next?
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Anyone can look beautiful.
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It puzzled me that other people hadn't found out, too. God was gone. We were younger. We had reached past him. Why couldn't they see it? It still puzzles me.
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If you use tact you can say anything, then make it funny.
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I can pretty much live without fast food. I haven't eaten McDonald's in so long, but it's okay.
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'The Replacements' is where I met Jon Favreau, and we just clicked like, you know, like kids at a camp.
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I think that there's a sense that procedurals, because they have more of a formula to the storytelling, it doesn't necessarily rate as high as some of the high-concept, big-idea, big-swing things that get the critics really excited.
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The world does not have an Islam problem; the world has a dignity problem.
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In prose, you have a lot more room for digression, for very meaty kinds of dialogues. In graphic novels, you're writing haiku-length dialogue. Your job is to be efficient, to get out of the way of the art.
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The 'control mechanism' view of culture begins with the assumption that human thought is basically both social and public - that its natural habitat is the house yard, the market place, and the town square.
