Clive Cussler Quotes
Quotes to Explore
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I've never quite worked out how to do holidays. I've got a house in France which I suppose is a kind of holiday house. But it's really only so I can go on drawing when I get there. I'm never far away from the feeling that I want to be getting on with something.
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In a family of all girls, I was always the 'boy' in my mind - the protector, the masculine one. No one would ever have to worry about me.
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I'm always afraid of failing. I have to quiet that fear if I'm going to get up in the morning.
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I did not love reading, spelling, math and science. I struggled. I was a terrible speller.
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In the editing room, 20 percent of the time you're using stuff from before the actor knew the camera was rolling or you're taking a line from somewhere else and putting it in his mouth.
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I'm confident in my ability to maintain a career. I don't know if it will be doing either independent films or plays in New England.
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I've tried to show in my most recent book, the 'Irresistible Fairytale', that in order to talk about any genre, particularly what we call simple genre - a myth, a legend, an anecdote, a tall tale, and so on - we really have to understand something about the origin of stories all together.
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I would love to continue working on animated films. Yeah, those are my ambitions. No doubt.
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I was afraid of Korean food when I moved to L.A., let alone sushi. I remember thinking either sink or swim. Living here in Studio City, Ventura Blvd. is the Mecca of sushi restaurants. What you thought was so exotic is just run of the mill.
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As a boy, I was a member of a club run by the famous reptile showman Ross Allen, and the club sent its members pseudoscientific papers mimeographed on construction paper with a three-hole punch.
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I have disassociated myself from that book.
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What's most important in animation is the emotions and the ideas being portrayed. I'm a great believer of energy and emotion.
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I learned a lot from the various artists I produced. Either you see them doing something that you do want to do it, or you see them doing something the way you don't want to do it.
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Detroit's a good investment because, first of all, the entry fee for everything is lower. And, you've got the talent that is here that is ambitious and motivated, so you're going to get in on a much lower cost structure in every way, shape, or form from labor to buildings to whatever.
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The notion of religious liberty is that you cannot be forced to participate in a religious ceremony that's not of your choosing simply because you're out-voted.
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The thing people don't understand is that touring or travelling or whatever you do in my position means you go to all these cool places all over the world, but you see everything from a car window. You don't get to see much of the city or meet people at all.
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The funny thing is I'm not bothered or sad about being on my own - after all I've never had a husband.
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I began taking pictures in the natural world to be able to show people what I was experiencing when I climbed and explored in Yosemite in the High Sierra.
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'Horse thunder' is what I call the sound of galloping hooves.
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The mosaic form of the TV image demands participation and involvement in depth, of the whole being, as does the sense of touch. (p. 334)
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There are two kinds of actors: those with one job too few, who have to take every one that comes along, and those with one job too many, who can always turn down the one they don't want.
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I collect vintage cars, so you always find them in my books.
