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For me, a good thriller must teach me something about the real world. Thrillers like 'Coma,' 'The Hunt for Red October' and 'The Firm' all captivated me by providing glimpses into realms about which I knew very little - medical science, submarine technology and the law.
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I think I was a shy kid. I grew up without television. I had a dog, and we lived up in the White Mountains in the summer, and I had no friends up there. And I would just go play hide-and-seek with my dog and probably had some imaginary friends.
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I am not an atheist - I think I'm happily confused and a work in progress; I'm sort of more agnostic. I do think that science has become the lens through which we see the world, more and more.
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Our need for that exterior god that sits up there and judges us... will diminish and eventually disappear.
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I often will write a scene from three different points of view to find out which has the most tension and which way I'm able to conceal the information I'm trying to conceal. And that is, at the end of the day, what writing suspense is all about.
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Our religions are much more similar than they are different.
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I have written a lot about the fine arts, but I'd never written about the literary arts, and so on some level Dante really, you know, spoke to me, as new ground but also familiar ground.
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That is the definition of faith - acceptance of that which we imagine to be true, that which we cannot prove.
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It's kind of a catch-22 now because since the 'Da Vinci Code,' I have access to places and people that I didn't have access to before, so that's a lot of fun for somebody like me, but I'm always trying to keep a secret. I don't want people to know what I'm writing about.
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Suggesting a married Jesus is one thing, but questioning the Resurrection undermines the very heart of Christian belief.
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Futurists don't consider overpopulation one of the issues of the future. They consider it the issue of the future.
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I'm not going to lie; the most fun of writing these books is just saying, 'Where am I going to write about? Let me go there!'
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I read nonfiction almost exclusively – both for research and also for pleasure. When I read fiction, it's almost always in the thriller genre, and it needs to rivet me in the opening few chapters.
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Writing is a solitary journey, so I am always excited to go out on book tour and meet readers one-on-one.
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I learned early on not to listen to either critique - the people who love you or the people who don't like you.
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Art historians agree that Da Vinci's paintings contain hidden levels of meaning that go well beneath the surface of the paint. Many scholars believe his work intentionally provides clues to a powerful secret... a secret that remains protected to this day by a clandestine brotherhood of which Da Vinci was a member.
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I spend my life essentially alone at a computer. That doesn't change. I have the same challenges every day.
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I grew up in a very religious household. My mom was a church organist. I was a religious kid.
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I'm not a car person. Three years after 'The Da Vinci Code' came out, I still had my old, rusted Volvo. And people are like, 'Why don't you have a Maserati?' It never occurred to me. It wasn't a priority for me. I just didn't care.
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The challenge for a writer looking at history is to figure out what is history and what is myth. After all, what you are looking at is an interpretation of history, and so at some level, it becomes an interpretation of an interpretation.
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The power that religion has is that you think nothing is random: If there's a tragedy in my life, that's God testing me or sending me a message.
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I don't know where I would place myself in the literary landscape. I really just write the book that I would want to read. And I put on the blinders, and I really - it is, for me, that simple.
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I write slowly. I actually write quickly, but I throw out so much material.
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I've been through a lot. I've thought a lot about life, and I've spent a lot of time studying history and science.