Rita Ora Quotes
Quotes to Explore
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When you're in your early 20s your love life seems to explode every 20 minutes or so. By the time you've reached your thirties, it is every five or ten years.
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I still think in this country, and this might surprise you, the one thing that George Bush said as president that I do agree with, I love that phrase, 'the soft bigotry of low expectations.'
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When Philip Glass asked me if I would be interested in doing a new recording of Jesus' Blood he assumed that I would do something similar to the first version and wanted to know what other pieces would be on the same CD.
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I tend to make low-budget movies but, yeah, I make more money than I ever thought I would make.
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I've got a coin with my face on it. It is really bizarre.
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As for the depiction of the Catholic church, it's not meant to be a prediction.
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A pulp story without a detective and, obviously, somebody for him to do battle with is unthinkable, and I can't remember reading a pulp story that didn't have a dame - either a good girl or a bad girl.
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Cut out all these exclamation points. An exclamation point is like laughing at your own joke.
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I came across humanity in Istanbul, and all I know about life comes from Istanbul, and definitely, I am writing about Istanbul. I also love the city because I live there, it has formed me, and it's me. Of course it is natural. If somebody lived all his life in Delhi, he will write about Delhi.
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The universities are available only to those who share my revolutionary beliefs.
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Because Mr. Mandela's early opponents invested so many resources into distorting the true nature of his advocacy, the singular historic moment millions now celebrate could have been tragically lost to guerrilla decontextualization.
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I have been accused of things that I have never done. I have been called a perpetrator of incidents while I was actually a peacemaker. I really don't know why. Yuvraj Singh isn't a party animal; he is just singled out. I don't know why.
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The 'Police Academy' stuff was all hyper-slapsticky.
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I never go wild with nails.
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My father was king of the guidebooks and our holidays were always planned, taking us from a great gallery to an ace cafe to a beautiful view. And as an actor, I loathe improvisation because there's no structure and no one knows what's going on.
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I fear that I won't work in the theatre again. I'm sad about that. But I won't retire.
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I am flattered that they think that many people would enjoy my work. I don't approach any genre a different way than I may approach another one. I treat every role I do like a role worthy of applying whatever kind of tactic, process and talent I have.
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I think I'm a people person. I get very attached to people. And I've become so attached to all the people on my show, the cast, the crew and the producers.
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If a local market is supporting the team strongly, you're not going to have a lot of support for a team leaving that market.
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The period that I could consider the most important in my literary work came about beginning with the Revolution, and in a certain way, developed as a consequence of the Revolution. But it was also a result of the counterrevolutionary coup of November 1975.
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I always appreciate people's opinions, but sometimes I have to take a step back and remember why I'm writing and what I want to do with it. Shutting out the voices is difficult but it's been good for me.
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Freedom goes hand-in-hand with mutual respect.
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Foucault is the Cagliostro of our time.
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I will always love red lips.
