Neil Gaiman Quotes
'The little folk dare anything', said his friend. 'And they talk a lot of nonsense. But they talks an awful lot of sense, as well. You listen to 'em at your peril, and you ignore 'em at your peril, too.'
Quotes to Explore
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I am enjoying my face changing, as well as realizing that at the same time, as you get older, the machine isn't as well-oiled as it was.
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One can quite understand vegetarianism. One can quite understand meat-eating. But it is difficult to understand why a person who is a flesh-eater should object to one kind of flesh, namely cow's flesh. This is an anomaly which call for explanation.
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To gain strength in our struggles, we must have a positive perspective of the principles in the plan of salvation. We must realize that we have a personal Savior whom we can trust and turn to in our times of need.
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Shakespeare doesn't really write subtext, you play the subtext.
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I love Brazilians. Brazilians ought to be made compulsory at 15.
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Leather accents on pieces make it fun and spices up an outfit.
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I don't think there will ever be a time I don't write, and I hope there will never be a time I don't act.
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In Hollywood, the women are all peaches. It makes one long for an apple occasionally.
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We already have - thanks to technology, development, skills, the efficiency of our work - enough resources to satisfy all human needs. But we don't have enough resources, and we are unlikely ever to have, to satisfy human greed.
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I was an umpire at little league softball games. I only lasted a few games because I wasn't one hundred percent clear on all the rules.
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Remain close to government and away from politics. It means deal more with the authorities. And less with individuals.
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I think that charity is a tricky thing, because a lot of times, people equate charity with handouts. I don't believe in handouts.
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I'm not a natural storyteller at all. If anything, I'm a natural interviewer, a natural listener, but I'm not a natural storyteller.
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I actually think one of my strengths is my storytelling.
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You cannot have adoration without being criticized.
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It's part of the job to compensate for outfit.
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We are such materialists that all our metaphors are going to be material.
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It was interesting to find how dominating American vision is all over the world. I think there's something to be said about the world's mindset and its economics and all of that, and I think it affects the way we see ourselves and it affects music.
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People don't appreciate music any more. They don't adore it. They don't buy vinyl and just love it. They love their laptops like their best friend, but they don't love a record for its sound quality and its artwork.
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When I was in my late twenties, a friend suggested that, since I was an avid SF reader and had been since I was barely a teenager, that since it didn't look like the poetry was going where I wanted, I might try writing a science fiction story. I did, and the first story I ever wrote was 'The Great American Economy.'
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From 1931 to 1937, I was a Fellow and Lecturer in Economics at Hertford College, Oxford.
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In a marriage, we have to accommodate each other's views.
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We knew that we were kind of odd and creeps, and we wanted to do odd, creepy stuff for people who wanted to see that.
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'The little folk dare anything', said his friend. 'And they talk a lot of nonsense. But they talks an awful lot of sense, as well. You listen to 'em at your peril, and you ignore 'em at your peril, too.'
