Edgar Wright Quotes
It's funny: sometimes with 'Spaced,' people would try and read too much into something I'd done, with the references meaning something more than they do.
Quotes to Explore
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People like me were supposed to be into exclusivity, unapproachable. That's what I hate most. I think it's very demode.
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If it helped you get your music off the ground, I'm glad you done it.
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People are not wrong in observing Caste. In my view, what is wrong is their religion, which has inculcated this notion of Caste. If this is correct, then obviously the enemy, you must grapple with is not the people who observe Caste, but the Shastras which teach them this religion of Caste.
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Something like 'The Matrix' would be ideal, something where it's super agents and wire work and special effects - not necessarily running from bombs and shooting people. Something more sleek, like an assassin.
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Putting on my legs is like putting on my shoes. I understand that's how some people might think differently, but I hope that in London, their perceptions open up.
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I think she said I should seek help. Something like that, but it was in much cruder terms. And that I had a fascination with things coming out of people's mouths.
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A performance art piece is unprecedented. It is difficult to censor since it has a good possibility of never being done before.
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When I'm on the red carpet, most people say, 'Who the hell is that?' It's downright embarrassing.
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Soap operas are like boot camps for film actors, so I really learned a lot. It was a masterclass in working for camera. I made myself watch myself every day. I would sort of try and be objective about it and critique myself a little. There's a lot more skill set than people realize in soap operas. They shoot, like, 35 scenes a day.
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I actually find it a lot easier to interview people I don't agree with because I'm far more curious about how they've arrived at that place.
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I know the true meaning of getting by by the skin of my teeth; I do. It doesn't matter whether you've got money or you haven't, whether you're famous or not. This is the case for all women, actually; you have to carry on. You always have to carry on. And you can, because you have to.
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I'm disregarding all the rules I've seen as people approach writing music. I'm trying to break them.
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By letting it go it all gets done. The world is won by those who let it go. But when you try and try. The world is beyond the winning.
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About 10,000 people a day go on first dates from Match... We're trying to celebrate that, bring those success stories to the forefront and make it even easier in our product to meet up at Starbucks.
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When we were on 'The X Factor,' we didn't realize how overnight the fame thing was. We didn't really understand it until we went on a shopping trip. It was like Week 7 or 8 of the show. We went with a few other contestants and there were loads of people, packed.
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The same way that some people can play the piano, I can do plots! They just come!
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Capitalism has socialized production. It has brought thousands of people together in the factory and involved them in new social relationships.
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A journalist can make or break a case, in a way, because they can figure out things the police can't, or they can destroy people's lives.
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Years from now, after I'm gone, someone will listen to what I've done and know I was here. They may not know or care who I was, but they'll hear my guitars speaking for me.
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The simple act of telling a woman's story from a woman's point of view is a revolutionary act: it never has been done before.
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Winning a Grammy is always going to be good.
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Goal setting will never stop. I will continue to work hard and practice hard and see where things go.
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It's funny: sometimes with 'Spaced,' people would try and read too much into something I'd done, with the references meaning something more than they do.
