Johnny Mathis Quotes
I also met, early on Ella Fitzgerald. Her songbooks are some of the most amazing bodies of work.
Quotes to Explore
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I don't keep people around me that aren't family. You don't get to stay. Unless you're eating at the table with us, you're not part. We eat together, we cry together, we live together, we die together. Everything that we do is for each other, and we care for another.
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Kings are more prone to mistrust the good than the bad; and they are always afraid of the virtues of others.
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I've never gotten thick skin. If you close yourself off and you get this protective armor, there is a price you pay with that - of not feeling. And feeling is important when you are a songwriter.
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I am a massive fan of early electronica like Steve Reich, Pat Metheny and Thomas Dolby. I used to be a big raver, too, so anything dance. I love ambient music like Tunng. I love acoustic and classical, too.
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We as women have a voice and we are decision makers in what film to see. We always support our boyfriends and husbands by going to see the male dominated films, but we don't compel them to see films with female casts.
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Most of the important composers in our country are clustered in the Northeast.
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The American people know something is wrong as far as energy is concerned. They don't think they are being told the truth.
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At the Museum of Roman Art, the logic of the forms is very much modern. But in spite of that, the idea of the construction could be related to a historical time.
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I went swimming the other day and my wife was watching and she said, 'You know, it's funny, it's when you've got no clothes on, no one recognizes you.' I said, 'What are you saying? That I should do more love scenes?'
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It is hard to look away from the swirl of media that the untimely and tragic death of Heath Ledger has engendered, and the Internet has jacked the frenzy into overdrive.
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A lot of news is just entertainment masquerading as news.
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The essence of science is independent thinking, hard work, and not equipment. When I got my Nobel Prize, I had spent hardly 200 rupees on my equipment.
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Everything was in stark and dreadful contrast with the trivial crises and counterfeit emotions of Hollywood, and I returned to England deeply moved and emotionally worn out.
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There's a hardening of the culture. Reality TV has lowered the standards of entertainment. You're left wondering about the legitimacy of relationships. It's probably harder to entertain the same people with a more classic form of writing, and romantic comedies are a classic genre.
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Both my parents are immigrants. I've seen different struggles they've had. There's a reason you don't see me using accents. I don't do impressions of my folks. When I'm doing a crappy impression of my folks, and you're laughing, I'm thinking, 'When my parents talk to people, when they walk away do people do impressions of them? Do they laugh?'
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Vice is a creature of such hideous mien... that the more you see it the better you like it.
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If you respect a language and culture, it shows in your work.
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The thing that I really look for in people is enthusiasm and excitement and, not to sound really sappy, that fire in their eyes.
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Everybody knows about Peter Jackson, 'The Hobbit' movies and 'The Lord of the Rings' films being made in New Zealand, and to actually have been part of it for such a long period, to live there and to have friends that I will have for life because of that experience, is an amazing thing.
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The first piece of art that I ever bought-when I could afford it-was a Warhol sketch from the period when he was just getting out of doing commercial work and more into art. It's a sketch of a young guy's face. I guess the gallery that I bought it from thought I would like it because the young guy kind of looked like James Dean.
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Superstition is the need to view the world in terms of simple cause and effect.
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Nick Cardy's work helped define some of the things we see in comics today and take for granted. He broke out of the mold in terms of covers and layout and created a truly interactive experience for the reader that directly points back to his time with the Eisner studio.
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I've watched and learnt from DJs and remixers and paid way more attention to how I want my voice to sound. Before, as long as it was loud and in tune it was fine. I've discovered the difference made by various microphones and effects, so each track has a different vocal sound, my voice is woven into everything and it's above everything.
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I also met, early on Ella Fitzgerald. Her songbooks are some of the most amazing bodies of work.
