Kelly Asbury Quotes
Animation tends to have several different writers who serve different functions. I think, on a lot of animated features, there are a lot of writers who don't get credited. It's the policy at Disney, for instance, in deciding who gets credit. It depends on the writer's contract, so many things.
Quotes to Explore
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Every industry is going to be affected (by the aging population). This creates tremendous opportunities and tremendous challenges.
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I really like this trend of songwriting that is honest and intelligent and serious and longing.
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We in the Middle East like to talk politics, we like to argue. Just look at the three prophets - Moses, Jesus and Mohammad. They are all from this small region which creates problems all the time.
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You either make dust or eat dust.
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Once we can do Pixar-quality graphics rendered in real time with interactivity, I could see games costing $200 million to make, and all of a sudden you have to sell a lot of games just to break even, so I'm a little worried someone's going to do that.
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When you're writing a novel - at least the way I write is I work from what I would call 'emotional atmosphere,' ambiance to ambiance.
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Any idea, plan, or purpose may be placed in the mind through repetition of thought.
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I've always had great faith in the Man Upstairs.
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I just come from a school where you have to win something to be accepted.
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When I emerge from filming I feel slightly out of synch with real life, but it's also a relief.
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Gosh, I couldn't even talk right until I was about 6 years old or something like that.
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To be among the world's greatest athletes and compete for Team U.S.A. while knowing that the entire world is watching is something that athletes dream about. To be able to experience that was truly special.
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It's funny, though, speaking of fathers and sons, because me and John Goodman played father and son, like, five or six years ago in the film 'Death Sentence,' and I got back with him again in 'Inside Llewyn Davis.'
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As athletes, we all have egos, we all think we can help, and when you're not given that chance, it's hard to watch.
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I consider Apple to be very closed. Let's say you have a book business, and you are charging 5 to 7 percent gross margins; you can't exist in an Apple world because they want 30 percent, and they don't care that you only have 7 percent to play with.
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Most people want to become movie stars and I just want to be in the business. I already was a star. If I get the part of a lifetime and it blows up, then that's wonderful. But if the acting doesn't work, fine. I'll just be a producer. And if the producing doesn't work, fine. I've got a lot of other stuff.
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When you're the president of the United States, you have no money unless the Congress says, 'Here's what you can spend it on.'
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One of the great things about music is that it has the capability of time travel - you smell a certain smell in the room and it takes you back to your childhood. I feel like music is able to do that, and it happens to me all the time.
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There's nothing that can replace the feeling of winning.
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Winston was a bit of a challenge, all right, from a lot of different perspectives. It wasn't just the culture or the class divide or the historical baggage - it was also the age difference. We had to see if I could be aged-up legitimately, without it becoming some sort of hokey acting challenge.
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I have a big following on Twitter, and Twitter has been invaluable for mobilizing and quickly sharing information. But I'm not really sure that people are learning deep content on Twitter.
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Animation tends to have several different writers who serve different functions. I think, on a lot of animated features, there are a lot of writers who don't get credited. It's the policy at Disney, for instance, in deciding who gets credit. It depends on the writer's contract, so many things.
