Neal Asher Quotes
When I get started each day, I read through and correct the previous day's 2,000 words, then start on the next. As I reach that figure, I try to simply stop and not go on until reaching a natural break. If you just stop while you know what you're going to write next, it's easier to get going again the next day.
Quotes to Explore
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Male critics and men in the publishing industry want from their women writers what they want from their wives. I'm interested in presenting characters that are more challenging, threatening, complicated and unpredictable.
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Every teenager and everybody around the ages from 10 to 18 has to go through finding out who they are.
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Perfect partners don't exist. Perfect conditions exist for a limited time in which partnerships express themselves best.
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When you talk about the American League, you think of Fenway. When you talk about the National League, you think of Wrigley and the fan base that they have in Chicago.
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Having stretched the boundaries some, I'm perfectly content now to work within them. 'Doonesbury' doesn't need to become 'South Park.' You won't ever see any singing turds.
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I don't cook. I don't know anything about food. I've never reviewed a restaurant.
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I think I'm very curious about other people. I like to sit and eavesdrop, you know.
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Creative output, you know, is just pain. I'm going to be cliche for a minute and say that great art comes from pain.
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In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?
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Hearts are the strongest when they beat in response to noble ideals.
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Everything is complicated; if that were not so, life and poetry and everything else would be a bore.
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I think the skin is the most important thing. If you take care of your skin, you don't really need much makeup.
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Yes, I've been in an igloo. They're surprisingly cozy and warm - small, though, you can't really stand up in some.
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I'd visit the near future, close enough that someone might want to talk to Larry Niven and can figure out the language; distant enough to get me decent medical techniques and a ticket to the Moon.
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I don't want to do only blockbusters.
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Comics are too big. You can't say any kind or genre of comics is better than another. You can say so subjectively. But to say it like it's objective is wrong. It's wrong morally, because it cuts out stuff that's good.
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Why are numbers so important? I take up a film I like, give it my best, and move on.
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Most of the competition was into bulk popcorn because of the major increases in the Drive-In Theatre Outlets.
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I saw Tequila Sunrise as a romantic picture with complex, bigger than life characters.
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As a kid, I thought of myself as stupid because I needed remedial help. It was not until much later that I figured out that I was dyslexic and that my trouble with spelling and sounding out words did not mean I was stupid, but early impressions stuck with me and colored my world for a time.
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Nobody wants you to stop, obviously because you're a moneymaking machine. But you have to make the decision and you have to move forward. So I took time off to have babies and do all that.
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But my question is, am I compromising by adapting my words for the audience and where is the line beyond which I am not adapting words, but changing my position?
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Yeah, I still feel as if I have things to do really. I'm not ready to stop.
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When I get started each day, I read through and correct the previous day's 2,000 words, then start on the next. As I reach that figure, I try to simply stop and not go on until reaching a natural break. If you just stop while you know what you're going to write next, it's easier to get going again the next day.
