Kelly Sue DeConnick Quotes
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In popular culture, when women compete, it's usually over a man, and it's usually very nasty. And that is just frankly not my experience. That's just some kind of popular mythology, it feels like. I find it insulting.
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Comics are not theatre - there's a very important difference in that the reader controls the page. You can linger on a page of comics as long as you want. You can read and go forward and then move back; you can reread, in one sitting or at your leisure. You can take as much time as you want to take in that story.
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If you can remove a female character from your plot and replace her with a sexy lamp and your story still works, you're a hack.
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In a weird way, I think I'm much better at oneshots than longform. So I try to focus on five or six-issue arcs. I have a real fondness for the one-shots because that's where I do my best storytelling.
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There's nothing less funny than trying to force funny.
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I think women have every right to feel like they're the protagonists in their own stories.
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I am a nerd among nerds.
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You'll go mad trying to figure out what people want. I don't bother. I write the stories I want to read.
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I think 'The Avengers' is a Black Widow movie. She saves the day. And if you take her out, the plot does not function.
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Part of a writer's job is just spacing out, looking into the air and imagining things.
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Everything that feminism stands for is everything American, white, red and blue democratic. It is all the same stuff. So, I am boggled that I should have to give up this term that encapsulates what I want for my children, for my world, culture, brothers and sister because someone else thinks it means I don't shave my armpits.
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With 'Pretty Deadly,' I think you'd be hard-pressed to find a three-act structure in it. I don't know - someone probably can.
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You don't usually have to wait a month for a new episode of a TV show. We ask comic readers to wait a month for a new issue, and honestly, given the time that it takes to put them together, a month is really too fast.
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'Female Convict 701: Scorpion' is based on a manga as is 'Lady Snowblood.' I saw 'Lady Snowblood' in the theater between writing issue three and issue four of the first arc of 'Pretty Deadly,' and I was really surprised how much I was influenced by it.
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Gray space is fertile ground for fiction. When I can see both sides of an argument and feel strongly in both directions, then there's a story there, then I can write real characters that I care about and believe in and champion on both sides.
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Going into the second arc, I'm making a conscious effort to do something I say I never do, which is to change my style because of feedback. I'm trying to make 'Pretty Deadly' more accessible by being more clear in the writing.
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I think I'm very strong at dialogue, I think I'm very strong in characterization. I think sometimes I use dialogue and character work to cover weaknesses in my plotting.
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I'm really just trying... to write what feels true to me. I don't think about a lofty responsibility. I think I'd be paralyzed by that. Like any of my male colleagues, I'm writing the stories that interest me in a way that feels true to me.
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Yes, the Bechdel Test. It's named for Allison Bechdel, who is a comic book creator. The test is, are there two named women in the film? Do they talk to each other? And is it about something other than a man? I actually think the Bechdel Test is a little advanced for us sometimes.
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Girls have always read comics. There's nothing intrinsically masculine about telling stories with pictures.
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Marvel is run by some very smart people, and they seem to pride themselves on the fact that they don't just find talent, they groom talent.
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With Marvel, I obviously don't own the characters, so there are levels of approval to go through. But I'm very seldom told no, and never without reason. Maybe I've just been lucky; I don't know, but I don't think it's as frustrating as people generally imagine. I act as though I own it all while I'm writing, I think. I hope, anyway.
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If you want to, if you are a crazy person, you could go from idea to the stands in about four months. It does not cost hundreds of thousands of dollars to make a comic the way it does to make a television show or a movie.
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I think women are vital to the future of the superhero comics and the entire industry - as creators, as editors, as consumers, as retailers.