Kelly Sue DeConnick Quotes
If you want to, if you are a crazy person, you could go from idea to the stands in about four months. It does not cost hundreds of thousands of dollars to make a comic the way it does to make a television show or a movie.
Quotes to Explore
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I love making movies, but a movie becomes your entire life for, like, two to two and a half years. There's no way around it; if you're really going to be serious about a movie, it has to be your life.
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I remember the first time my mind was blown by an actor was Tim Curry, because I loved 'Clue' when I was a kid, and then I was watching the movie 'Legend,' and the Devil suddenly smiles, and I was like, 'It's the same guy!' It was a total Keyser Soeze moment.
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When a woman has lost her chastity she will shrink from nothing.
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Wes Craven's 'Shocker' is one of my favorite soundtracks. I don't know where that movie stands in the critical eye of cinema, but it was a really fun movie because of all the bands that were part of it.
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Adam Sandler is a remarkable movie brand.
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There's book smart, there is street smart, there's relationship smart, there's too many different kinds of smarts to know all of them. Everybody doesn't know every kind of smart. There's money smart, there's movie smart, there's computer smart. There's just too many different kinds of smarts for people to know all the smarts.
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When I'm not on a crazy schedule, I'll try to do yoga or the gym once or twice a week.
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I hope people don't think I'm crazy, because I'm not.
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People will turn their noses up at a sequel or that type of thing, but Pixar really works hard - if they're making a sequel - to make a sequel an original movie, to make it an original story.
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One minute, it seemed I had more movie offers than I could handle; the next – no one wanted me.
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In every movie I do have a dialogue.
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Thankfully I'm not endlessly ambitious, but I have done some crazy ambitious things like buying an island off the west coast of Scotland in the late Sixties.
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Crazy old people are our entire source of polling information.
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You have to feel good in what you're wearing; if you don't feel good it's not going to look good. You ever see someone wear something that's crazy and say, 'That's so crazy!' But they look good in it, because they feel good in it - you can just tell.
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It would be great to make a movie that had the style of a great '30's film.
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We tried every single way of giving birth. It didn't work. I wasn't too crazy about having to do a C-section and take all the drugs. Finally, I just had to be like, 'Let it go.'
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I was very insecure approaching the idea of directing a feature film. I told myself I would not move until I felt I was moving in power rather than moving in desperation to make a movie.
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I feel like every five to seven years I really need to put myself in this position of discomfort and exploration, just to survive. Otherwise I feel like I'm falling asleep, like I'll go crazy if I don't do it.
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I did know that the book would end with a mind-boggling trial, but I didn't know exactly how it would turn out. I like a little suspense when I am writing, too.
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Anyone can see how if a feared tax hike doesn't happen, that's a positive factor. But even if tax hikes happen as feared, vast history tells me it doesn't have to have the big bad impact folks fear. And fear of a false factor is always bullish.
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Graphics has lately made a great shift towards machine learning, which itself is about understanding data.
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The challenge to me as a director was for the audience to see the film as going on in a straight line, so that they did not sense all of these break-ups. I did not want a film to be a collage of all these images.
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We want to go out there and smack Italy. I said to the boys ‘go out and give them a good hiding.'
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If you want to, if you are a crazy person, you could go from idea to the stands in about four months. It does not cost hundreds of thousands of dollars to make a comic the way it does to make a television show or a movie.
