Kem Nunn Quotes
Quotes to Explore
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When I was growing up, we never had much money. My parents were divorced young, but I was always surrounded by loving individuals. They couldn't give us riches, but they gave us their stories, their hearts, and their time.
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We have not overthrown the divine right of kings to fall down for the divine right of experts.
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If a writer is to tell his own story - tell it slowly, and as if it were a story about other people - if he is to feel the power of the story rise up inside him, if he is to sit down at a table and patiently give himself over to this art - this craft - he must first have been given some hope.
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A physician's physiology has much the same relation to his power of healing as a cleric's divinity has to his power of influencing conduct.
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As a child, I loved fairy tales because the story, the what-comes-next, is paramount. As an adult, I'm fascinated by their logic and illogic.
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In real terms, there is a greater disparity of earnings between the very rich and the very poor.
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The mood of the 80s - Get what you can, can what you get, and sit on the can.
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The mantra from the Obama State Department is 'smart power' - the not-so-new idea that all elements of national power should be utilized to influence other countries.
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I hope that one day when I'll go back to Pakistan, I will build a university like Harvard.
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All I know is what the words know, and dead things, and that makes a handsome little sum, with a beginning and a middle and an end, as in the well-built phrase and the long sonata of the dead.
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I played didgeridoo from a young age - on the vacuum cleaner, initially.
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Continuous persecution of widows and orphans is a crime. Even the Bible says there is a specific place in hell for those who oppress widows.
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I was lucky to have my allergist who diagnosed me with CIU.
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What you wear onstage is a reflection of your artistry.
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The creative part of your brain needs to be stimulated. Sometimes you get blocked in the thing you do, because there's so much pressure to do it.
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I really loved animals when I was little - my friend and I had an imaginary vet's office; we would mime doing surgery on animals. We treated more injuries than illnesses - fixing with a baby bear with a broken leg, removing a tumor. Of course, our surgeries would take about five seconds; that's how good we were.
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I got married very early, and in no time at all, we had three children. And it seemed to me I had an obligation to support them.
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An ingenuous mind feels in unmerited praise the bitterest reproof.
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For me 'Submarine', is probably one of the most important things I've done and it will always remain the closest thing to my heart. It was an amazing experience and it really changed things for me after I'd finished filming it because of the people on it.
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There was a time when a company could not sell its shares to the public unless its revenues were growing and it was turning a profit. Companies that lost money were deemed too risky for public investors.
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My great-grandfather was prime minister of Canada, and I had a very Edwardian upbringing. It was a beautiful, romantic way of growing up, until the family lost its money. And I decided to be bad and rough and find the streets rather than the gates.
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Goddess was made in my home in France. The material retained an integrity whit it would have lost in Los Angeles studio.
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Loss is so paradoxical: It is at once enormous and tiny.
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My 20s were a lost decade. I didn't do much of anything.
