Ken Auletta Quotes
Quotes to Explore
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The working environment in L.A. is really refreshing, really good. Because in Malaysia, it's a small country - you end up working with the same people that you like and that you know.
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I doubt anyone else would have travelled as extensively as I have to meet the citizens of the country.
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The end of secrecy would be the end of the novel - especially the English novel. The English novel requires social secrecy, personal secrecy.
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I never had teenage years. I guess because I was seen to be more adult than anybody around me.
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When I was a little kid, I used to watch with my brother when there was Macho Man and Hulk Hogan. But then I fell out of it for a few years.
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You have your identity when you find out, not what you can keep your mind on, but what you can't keep your mind off.
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After all, despite the economic advantage to firms that employed child labor, it was in the social interest, as a national policy, to abolish it - removing that advantage for all firms.
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I talk about life, and I make universal music with an American style - and that's what I do.
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Every child should at least grow up in family rather than without one.
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I want to be the best version of myself - intellectually, emotionally, and physically. So I like to wear clothes that I feel comfortable in, that reflect that.
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I've learnt that it is important not to go over the top with aggression, because then either you are going to miss a lot of games, or you are not going to be concentrating on the game you are playing.
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I'm a very restless person. I'm always doing something. The creative process never stops.
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I think what's fascinating is how many people are playing in politics who maybe haven't played before.
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'Moby-Dick' has a remarkable way of resonating with whatever is going on in the world at that particular moment.
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To be a novelist, all I need is a pen and a piece of paper.
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We all go to the theater and cinema to be inspired and moved on an emotional level, sometimes to laughter, sometimes to tears. Once I discovered that acting could have such an effect, I was sold. It has been one of the most rewarding discoveries I have ever made.
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That was my challenge as an actress: to be a necessary part of the office without being too aggressive.
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The very essence of the creative is its novelty, and hence we have no standard by which to judge it.
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I don't like to try strange foods. I like to explore different foods, but if you ask me to eat crocodile or frogs... I'm like no. That's where I draw the line.
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For too many years, we, as a country, have suffered from a poverty of aspiration.
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I do try to let what is obviously unintended yet naturally good stay in.
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In 1998, the acting roles suddenly bottomed out. I was no longer getting scripts; even my agent stopped calling. When I finally got him on the phone to ask him what was going on, he paused, then said: 'Well, Christine, you're 45.' I got rid of him.
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Without vision, even the most focused passion is a battery without a device.
