Ken Cuccinelli Quotes
Quotes to Explore
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I simply can't do one-word message replies: Yes. Ok. No. Sure. Cool. None of these are options for me. I must write something extra. Something personal. I put kisses and emoticons. Emoticons, by the way, are my very best friends. They have removed all the pressure of thinking up something personal to say.
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I don't just say I'm conservative. I have boot leather to my gospel.
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When 'our people' get to the point where they can do us some good, they stop being 'our people.'
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I'm not being secretive about anything. I just actually don't have opinions about society.
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I can't walk in an airport, walk into a gym, where the kids in the gym don't come to me and ask me about Allen and tell me he's their favorite player of all time. And everywhere I go in airports, people look at me, and they, 'You're Allen's coach.'
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I hear odd tracks from my albums every now and again on the radio, or maybe a friend plays me something.
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All things considered, defending our borders by building a fence to keep out people is a necessity. There is no more humane alternative when it comes to protecting ourselves. We must act humanely, within the law, while honoring transparency, but with firm resolve.
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We tend to talk about death as if it is losing a battle, but that assumes living is winning and dying is not.
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I've tried to show in my most recent book, the 'Irresistible Fairytale', that in order to talk about any genre, particularly what we call simple genre - a myth, a legend, an anecdote, a tall tale, and so on - we really have to understand something about the origin of stories all together.
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If we just allowed women and men more leeway in our culture and more acceptance, I think they would be able to make better compromises.
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I do like the research part of writing, I must admit.
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Playing hard to get is not the way to win me over. I'm definitely more for the girl who can smile and laugh all the time and just have a good time!
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Falling in love, romance, matters of the heart - when you fall in love, on some biochemical level you know there is a chance it won't work out. It's ingrained in us that if you take such an enormous risk on someone with your heart that it might not pay off. I gamble all my chips and I might actually lose everything.
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After 'The Sisters Brothers,' I tried to write a contemporary story dealing with an investment adviser in New York City who moves to Paris. I did all this research, but after about a year and any number of pages written, I was bored stiff.
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Do you know what a showmance is? It is like being at a summer camp when you're a teenager. You spend summertime away from your home. When you spend three months very closely with someone at a particular place, it is like a summer love. You have no choice but to get involved with that person.
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Good artists copy, great artists steal.
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When I was little, people like Talking Heads were on the radio. There was something geeky yet groundbreaking about them.
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The real story is that I had unprotected sex. That's that. That's easy.
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I've had some experience in this arena. So it wasn't foreign to me to have a woman say she doesn't want to see me anymore.
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When I was at university in the Fifties, Latin America was full of dictators. Trujillo was the emblematic figure because, of course, of his cruelty, corruption, extravagance, and theatricalities.
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Many appreciate in my former work just what I did not want to express, but which was produced by an incapacity to express what I wanted to express - dynamic movement in equilibrium. But a continuous struggle for this statement brought me nearer. This is what I am attempting in 'Victory Boogie Woogie.'
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We see a transformation of warfare from the big armies and battlefields in open spaces to a fragmentation of armed groups and smaller armies, which move into city centres, which increasingly become the theatre of warfare.
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On the issues the Tea Party cares about, I land right in their bull's-eye.
