Ken Dodd Quotes
Laughter is the greatest music in the world and audiences come to my shows to escape the cares of life. They don't want to be embarrassed or insulted. They want to laugh and so do I - which is probably why it works.
Quotes to Explore
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I can work in films as long as the story doesn't have a realistic nature. If I'm working with an allegory, a fantasy, it can be developed in synthetic terms.
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I love playing live, I don't like studios all that much. I need the reaction of the audience.
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In order to raise money from somebody, you have to understand who is this person, not to deceive them but to understand them. What would be their motives for contributing money? Why do these people contribute money to some places, but not to others? That's attunement - treating everybody well, but not treating everybody the same.
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There are lots of emotions that go with the Fourth of July.
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I've never been that guy who says, 'Ooh, I have to play King Lear'. First off, that'd be a disaster anyway. I tend to read something and see who's involved, and then know I want to be part of it. But I don't think I'm through with comedy. I still love to make people laugh.
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Where love is, there God is also.
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Life is not about dwelling on the bad.
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From the spinners, Anil and I have been together for a long time and I respect him a lot.
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I don't pick and choose subjects or settings; they pick and choose me.
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The idea of the sacred is quite simply one of the most conservative notions in any culture, because it seeks to turn other ideas - uncertainty, progress, change - into crimes.
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I didn't get into rap to be no lyrical genius. I got into rap to feed my family and help the people in need around me, that's it. A lot of people say, 'Man, Waka Flocka ain't go no lyrics,' so I was like, 'Yeah, you right!'
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I wanted to be a bull rider when I grew up.
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Eventually somebody will want me, and there will be a role that is mine.
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Library campaigners are not prepared to stand by and watch something they cherish be dismantled brick by brick.
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If we were truly in the studio making a record, it would have been more time consuming, and certainly I would have been more involved in the writing process.
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I was the youngest and on my own a lot. I think this probably taught me independence and how to be okay with my own company. Also, it meant I read a lot.
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I've definitely had those moments when I think a relationship with somebody is one way, and then it just flips.
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I just kept it real and had the freedom to do what I want. It's not designed for any age group. It's not made for radio. There are no edits. The whole album contains explicit lyrics but that's because you need it.
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I don't want to subject myself just to one scheme. I think it's just if you can play, you can play no matter what scheme you play in.
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I love playing a woman suffering, thinking about the choices that she's made and obviously wanting more. It's classic.
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Each venture Is a new beginning, a raid on the inarticulate With shabby equipment always deteriorating In the general mess of imprecision of feeling.
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I saw his face change. His eyes widen. He lunged at me. I wouldn't let go. We stared into eachother's eyes and clawed at eachother's throats. As we rolled over the edge of the water tower and fell the whole way down, I was only thinking one thing ...Lena
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Laughter is the greatest music in the world and audiences come to my shows to escape the cares of life. They don't want to be embarrassed or insulted. They want to laugh and so do I - which is probably why it works.
