Ken Liu Quotes
I've been writing long enough to know that fiction, as a rhetorical mode, works very differently from expository writing. If an author has a specific critique about contemporary society in mind, fiction tends not to be the best means to deliver that critique.
Quotes to Explore
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In those years of the Fifties, in London and New York, I lived, without knowing it, in a time when the profoundest changes were happening: when a radical alteration was getting ready to happen in the way a society saw young girls. And, as a consequence, in the way they saw themselves.
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All performances are different. I don't think it's necessary to compare one with another. I am just me playing the role of Lear. You're bound to get a Holm approach to it, whatever that may be. I just got out there and did it. I'm very much a doer in my acting.
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The world that you and I live in is increasingly challenged. Population growth, pollution, over-consumption, unsustainable patterns, social conflict, climate change, loss of nature... these are not good stories.
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I've never read for a movie, I've always been given them.
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It's still going on. I guess it will be until Redmond quits, dies or is jailed.
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I feared vulnerability more than my actual emotional pain itself!
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My dad was a designer for Upper Deck, and I had hundreds of Ken Griffey Jr. cards. Hundreds. I could have paid for college with them.
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Look at market fluctuations as your friend rather than your enemy; profit from folly rather than participate in it.
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There is a restaurant in L.A. called Crustacean, which is very famous for its garlic crab. Well, I can make garlic crab better than Crustacean. My sauce is so good you'll want to dip your bread in it, put it on your egg omelet, in your cereal, and in everything else.
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Law enforcement officers are never 'off duty.' They are dedicated public servants who are sworn to protect public safety at any time and place that the peace is threatened. They need all the help that they can get.
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Fracking is an incredible risk to the human race, I don't know why they even thought of doing it.
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That is the effect of my sculptures in the public domain: people are making contact with each other again.
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It is eerie being all but alone in Westminster Abbey. Without the tourists, there are only the dead, many of them kings and queens. They speak powerfully and put my thoughts into vivid perspective.
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My father thought sport was something fun - he didn't know it was a way to make money. Then I won a Mercedes at the world championships and I gave it to him. From the moment it arrived my father said: 'Good, you can support not just yourself but me too'.
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The thing that's protected me creatively is that the movies have made profits.
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The prevailing system of management has crushed fun out of the workplace.
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Too clever is dumb.
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I actually prefer Twitter as a medium, and I also got into Periscope for a second, but I'm still trying to figure out what to do with it. I can't figure out if the only important thing about it is the live broadcast, or if it's an interesting kind of way to log what you do.
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In the dining room, next to my collection of colorful papier-mache Mardi Gras float art, hang draperies made of the New Orleans toile fabric that I designed pre-Katrina for Hazelnut.
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I get my best ideas in a thunderstorm. I have the power and majesty of nature on my side.
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I paint. I still do it every day. I never neglected it. It's a gift. It's almost like religion for me. It's the quickest way for me to become still.
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The first thing Ravi Babu asked when we met was, did I watch horror movies? I told him it took me years to get over Ram Gopal Varma's 'Raat!'
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I'll keep writing 'Dune' books as long as my mother's spirit continues to support the project.
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I've been writing long enough to know that fiction, as a rhetorical mode, works very differently from expository writing. If an author has a specific critique about contemporary society in mind, fiction tends not to be the best means to deliver that critique.
