Ken Livingstone Quotes
What a squalid and irresponsible little profession it is. Nothing prepares you for how bad Fleet Street really is until it craps on you from a great height.
Quotes to Explore
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There are really two kinds of optimism. There's the complacent, Pollyanna optimism that says, 'Don't worry - everything will be just fine,' and that allows one to just lay back and do nothing about the problems around you. Then there's what we call dynamic optimism. That's an optimism based on action.
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I believe that movies are fast becoming antique and dinosauric as a medium. Film is a medium for the over-40s and television has gone the same way. If you're going to look towards the new generation, then of course you're going to have to be a lot more random, spontaneous, irreverent and provocative with your programming.
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To have a songwriter that wrote so specifically what I felt to be true... I've never been much of an actor either. If something is real for me, then I can do it.
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It's hard to have people talking about you and trashing you in the media and saying they think your career is over... and you are only 25.
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Like the old Italian saying goes, 'It ain't rocket surgery.'
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People throw things at me sometimes, at big festivals.
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Also, I have found that I really like to work in English. It's very strange because it's exactly the opposite of what I thought it would be like.
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No flying machine will ever fly from New York to Paris.
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Some people are enraged, and some people are applauding. If there were a mission statement for graffiti, that would be it.
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Well, I'm an independent person.
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I believe we're the party of small business.
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Showing up at school already able to read is like showing up at the undertaker's already embalmed: people start worrying about being put out of their jobs.
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I've known Mark Hughes for half a lifetime. We joined Barcelona in the same summer of 1986, played together under Terry Venables and Luis Aragones, and have kept in touch ever since.
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I know that I am very popular in Holland, in fact I have visited Amsterdam several times to publicize my books. I have a great publisher in Holland and they have published all of my books in Dutch.
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My roots are more in he Beatles, Zeppelin, the whole 60's side.
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Most believers struggle to really believe in the supernatural as a meaningful, deterministic reality except during moments when they are drawn to it, perhaps during a worship service or while reading a novel like 'Adam.' Being drawn to this truth is the first step to living a life in accordance to this truth.
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I think Sydney has so much natural beauty; it's just a beautiful city.
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I think starting in anime, like I did, gave me a good idea of how to approach games that come from Japan. Japanese developers can be very different from companies here in the western market.
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That's what acting is - it's about... having the courage to allow your audience into the private moments of your characters' lives.
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You definitely have to play real games and, through trial and error, get a feel for the game.
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Tim Conway was a little different from the rest. He was always in the back of the studio building something with the prop man, rewriting his lines, or plotting our demise.
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'Daredevil: Season One' is kind of in-between. On the one hand, sure, it's a graphic novel. But on the other, it's beholden to existing continuity, and we're still telling the story in issue-length chapters. So it's not that different to writing a miniseries, and I've done plenty of those.
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Prince is extremely soulful, but he can get real rock-'n'-rollish. So can Lenny Kravitz. Lenny's real soulful but he's got that rock with him, too. On the whole, I guess black folks ain't trying to handle rock-'n'-roll, really.
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What a squalid and irresponsible little profession it is. Nothing prepares you for how bad Fleet Street really is until it craps on you from a great height.
