Ken Livingstone Quotes
What a squalid and irresponsible little profession it is. Nothing prepares you for how bad Fleet Street really is until it craps on you from a great height.
Quotes to Explore
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There are really two kinds of optimism. There's the complacent, Pollyanna optimism that says, 'Don't worry - everything will be just fine,' and that allows one to just lay back and do nothing about the problems around you. Then there's what we call dynamic optimism. That's an optimism based on action.
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I believe that movies are fast becoming antique and dinosauric as a medium. Film is a medium for the over-40s and television has gone the same way. If you're going to look towards the new generation, then of course you're going to have to be a lot more random, spontaneous, irreverent and provocative with your programming.
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To have a songwriter that wrote so specifically what I felt to be true... I've never been much of an actor either. If something is real for me, then I can do it.
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It's hard to have people talking about you and trashing you in the media and saying they think your career is over... and you are only 25.
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Like the old Italian saying goes, 'It ain't rocket surgery.'
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People throw things at me sometimes, at big festivals.
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Also, I have found that I really like to work in English. It's very strange because it's exactly the opposite of what I thought it would be like.
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No flying machine will ever fly from New York to Paris.
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Some people are enraged, and some people are applauding. If there were a mission statement for graffiti, that would be it.
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I never bought the commercial thing, at any stage of the game.
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Well, I'm an independent person.
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I believe we're the party of small business.
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The essential function of art is moral. But a passionate, implicit morality, not didactic. A morality which changes the blood, rather than the mind.
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Showing up at school already able to read is like showing up at the undertaker's already embalmed: people start worrying about being put out of their jobs.
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I've known Mark Hughes for half a lifetime. We joined Barcelona in the same summer of 1986, played together under Terry Venables and Luis Aragones, and have kept in touch ever since.
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If I were to sum up the negative reactions to my work, I think there are two primary causes: one is that if there is discourse about anxiety it is necessarily going to induce anxiety. It will represent a return of the repressed for a great many people.
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I know that I am very popular in Holland, in fact I have visited Amsterdam several times to publicize my books. I have a great publisher in Holland and they have published all of my books in Dutch.
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My roots are more in he Beatles, Zeppelin, the whole 60's side.
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We have a very long legal system with the European Union, and we're English speaking.
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Great books are rare.
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You're not free unless you can show the good and the bad, all sides of them. So to me, when I play a character, it's important that I can show every aspect of them.
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The ability to communicate with everybody, regardless of who are you are, is a great thing.
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My story is really an affirmation of my strength and my luck. To live with a great artist like Ted Hughes or Mick Jagger is a very, very destructive role for a woman trying to be herself. In fact, it can't be done.
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What a squalid and irresponsible little profession it is. Nothing prepares you for how bad Fleet Street really is until it craps on you from a great height.
