Kendall Jenner Quotes
When I was at high school, I used to pretend that I had work, and I would go and tell the head of school that I, like, really needed to leave, and I was really stressed out because I had work.
Quotes to Explore
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In the long winter evenings he talked to Ma about the Western country. In the West the land was level, and there were no trees. The grass grew thick and high.
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Ah, sweet Content, where doth thine harbour hold.
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My father insisted that I and my sisters not be indoctrinated into any religion at any age.
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I started writing half a paragraph of a mystery novel, half a paragraph there, and they were terrible.
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So the darkness shall be the light, and the stillness the dancing.
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I've always liked working really hard and then doing nothing in particular. So, consequently, I didn't overexpose myself; I guess I maintained a kind of mystery. I wasn't ambitious.
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I know what I look like - a weird, sad clown puppet. I'm fine with that.
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I have always believed that one should not be scared of losing, I think that really is the key.
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In an expanding universe, time is on the side of the outcast. Those who once inhabited the suburbs of human contempt find that without changing their address they eventually live in the metropolis.
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I've come a long way since 2007 when I kind of launched my golf career.
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There's a hardening of the culture. Reality TV has lowered the standards of entertainment. You're left wondering about the legitimacy of relationships. It's probably harder to entertain the same people with a more classic form of writing, and romantic comedies are a classic genre.
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While girls average a healthy five hours a week on video games, boys average 13. The problem? The brain chemistry of video games stimulates feel-good dopamine that builds motivation to win in a fantasy while starving the parts of the brain focused on real-world motivation.
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Everyone should learn to tango in Argentina before they die.
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I've started doing my coaching badges, I'd like to be a manager one day.
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With the rights now in our loving hands, I'm beyond excited to bring 'The Green Hornet' into the 21st century in a meaningful and relevant way: modernizing it and making it accessible to a whole new generation. My intention is to bring a gravitas to 'The Green Hornet' that wipes away the camp and kitsch of the previous iteration.
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When you are poor, you'll have to think of ways to be better off.
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Winter testing is essential but there comes a point where you have had enough of all the rehearsals and the pretend racing. You just want to get down to the real action.
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There's so much material out there that's unnecessarily racist. It takes a shot at what is 'urban' or demonstrates blackness with some sassy, neck-jiving character that's not even relevant to the plot. I see it time and time again, and it doesn't move the story forward. It just kind of cryogenically freezes us in this old racial paradigm.
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Thank God I've always avoided persecuting my enemies.
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I think space, architectural space, is my thing. It's not about facade, elevation, making image, making money. My passion is creating space.
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Intertwingularity is not generally acknowledged - people keep pretending they can make things deeply hierarchical, categorizable and sequential when they can't. Everything is deeply intertwingled.
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When I was at high school, I used to pretend that I had work, and I would go and tell the head of school that I, like, really needed to leave, and I was really stressed out because I had work.
