Ned Rorem Quotes
Arguably, no artist grows up: If he sheds the perceptions of childhood, he ceases being an artist.
Quotes to Explore
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I wake up late, say 10 or 11, because we've usually been out and about town until 2 or 3 A.M. listening to music at the jazz clubs or hitting the jazz clubs post-theater.
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One thing I did was grow up as an ardent naturalist. I never grew out of my bug period.
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The 1992 crisis proved that the existing system was unstable. Not moving forward to the euro would have set up Europe for even more disruptive crises.
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Occupy Wall Street means making Wall Street and the corporate power elite understand that the people affected by the binge of unregulated greed are not going away, and they are not going to give up.
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I'm a pretty chill and easygoing person; most people in Australia are, as well. I don't think I ever really saw a lot of fights growing up. I think it's hard to get people in Australia angry and want to fight, minus one or two people in the media... but we won't say any names.
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I lived near Arthur's Seat when I lived in Edinburgh. It was the perfect playground as a child. I always have a wee run up there when I'm back.
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What happens to a dream deferred? Does it dry up Like a raisin in the sun? Or does it explode?
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Writing an essay is like a school assignment: I have my topic, I organize my thoughts, and I write it. I have complete control over what I'm doing. Writing a novel is like setting out on a journey without knowing who or what I'll encounter, how long it's going to take, or where I'm going to end up.
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One trap you can fall into when playing someone iconic is to end up doing everything in an iconic way, no matter how pedestrian or mundane that thing is.
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I'm a really heavy sleeper. When I wake up I'm a terrible morning person.
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This may sound funny, but I feel my most beautiful when I'm clean, fresh out of the bath. I don't have to be dressed up. I could be in comfy clothes at home hanging out with my family.
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Our young people look up to us. Let us not let them down. Our young people need us. Saving them will make heroes of us all.
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When 'The Shadow of the Wind' became a success I had already been a working writer, I'd been through the ups and downs, I'd seen how it worked.
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Sometimes I know a joke I'm going to yell out ahead of time, but most of the time it's stream of conscious. You never really know it until you've got everyone dressed up, the set is built, all the extras are here.
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I never write my stories as a wake-up call as such. I simply explore the kinds of situations that I find personally challenging by placing characters into situations that challenge them in similar ways.
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Life would be very dreary if there were no magic. If the real world were only that veil of tears, I just don't think could get up in the morning.
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There is in every woman's heart a spark of heavenly fire which lies dormant in the broad daylight of prosperity, but which kindles up and beams and blazes in the dark hour of adversity.
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Some actors get fired up by the sound of the audience. I just want to retreat.
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The only right a Christian has is the right to give up his rights.
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When you've got four people to get dressed to get out the door you don't really spend a lot of time on yourself. But that's the way I roll anyway. I was never one to do my hair and make-up just to go to the market, so it's not that much different. If I get a little eye cream on, I feel I'm ahead of myself.
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I was 11 when a teacher suggested to my parents that they should send me to drama classes to curb my disruptive ways in the classroom. The next Saturday I was acting, and thereafter it became a ritual of my youth to see a show at the Belvoir on Sundays and, if I was lucky, another at the Opera House on Monday after school.
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If I have to look a certain way for something, I know how long it's going to take me do it.
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There's no hope of me becoming completely relaxed on stage. If I did, I'd sit down and doze off.
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Arguably, no artist grows up: If he sheds the perceptions of childhood, he ceases being an artist.
